Historical and Philosophical Issues in the Conservation of Cultural Heritage Book

	Foreword
	Preface
	Note to the Reader
Pt. I	The Eye's Caress: Looking, Appreciation, and Connoisseurship	1
1	The Lamp of Memory, I	42
2	Aesthetics and History in the Visual Arts	44
3	Art	47
4	Looking at Pictures	56
5	The History of Art as a Humanistic Discipline	60
6	The Modern Cult of Monuments: Its Essence and Its Development	69
7	Principles of Art History	84
8	Italian Painters of the Renaissance	100
9	Conversations with Berenson	106
10	Fundamental Laws of Sculpture	108
11	From Light into Paint	110
12	Of Turnerian Mystery: Secondly, Willful	129
13	Rudiments of Connoisseurship	131
14	On Art and Connoisseurship	139
15	Connoisseurship	154
16	The Nature of Gothic	158
Pt. II	The Original Intent of the Artist	161
17	Art in Transition	176
18	Crimes against the Cubists	185
19	The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts	193
Pt. III	The Emergence of Modern Conservation Theory	201
20	That Mighty Sculptor, Time	212
21	Restoration from the Perspective of the Humanities	216
22	Theory of Restoration, I	230
23	The Integration of the Image: Problems in the Restoration of Monuments	236
24	Knowing How to "Question" the Object before Restoring It	244
25	Introduction to Archaeological Conservation	248
Pt. IV	Historical Perspective	261
26	Historic Preservation: Philosophy, Criteria, Guidelines, I	268
27	Degradation, Conservation, and Restoration of Works of Art: Historical Overview	275
28	Further Materials for a History of Conservation	281
29	The Surgery of Memory: Ancient Sculpture and Historical Restorations	288
Pt. V	Restoration and Anti-Restoration	307
30	Restoration	314
31	Manifesto of the Society for the Protection of Ancient Buildings	319
32	The Lamp of Memory, II	322
Pt. VI	Reintegration of Losses	325
33	On Restorations	332
34	The Problem of the Integration of Lacunae in the Restoration of Paintings	335
35	Theory of Restoration, II	339
36	Problems of Presentation	343
37	Theory of Restoration and Methodological Unity	355
38	Historic Preservation: Philosophy Criteria, Guidelines, II	358
Pt. VII	The Idea of Patina	365
39	The Idea of Patina and the Cleaning of Paintings	372
40	Theory of Restoration, III	377
41	The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes	380
42	A Review of the History and Practice of Patination	394
43	The Surface of Objects and Museum Style	415
Pt. VIII	The Role of Science and Technology	423
44	Scientific Research and the Restoration of Paintings	432
45	The Scientist's Role in Historic Preservation with Particular Reference to Stone Conservation	439
46	The Science and Art of Conservation of Cultural Property	445
	Annotated Bibliography	451
	About the Authors	472
	Illustration Credits	483
	Index	486