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Introduction : the Baroque and the cultures of crises | ||
1 | On the notion of a melancholic Baroque | 3 |
2 | Aesthetic categories as empire administration imperatives : the case of the Baroque | 20 |
3 | Of Baroque holes and Baroque folds | 55 |
4 | Models of subjectivity in the Spanish Baroque : Quevedo and Gracian | 72 |
5 | Horror (Vacui) : the Baroque condition | 87 |
6 | From hieroglyphic presence to representational sign : an other point of view in the Auto Sacramental | 107 |
7 | The challenges of freedom : social reflexivity in the seventeenth-century Spanish literary field | 137 |
8 | Revisiting the culture of the Baroque : nobility, city, and post-Cervantine novella | 162 |
9 | Perspectives on Mestizaje in the early Baroque : Inca Garcilaso and Cervantes | 187 |
10 | Freedom and containment in colonial theology : Sor Juana's Carta atenagorica | 205 |
11 | Sleeping with corpses, eating hearts, and walking skulls : Criollo's subjectivity in Antonio de la Calancha and Bartolome Arzans de Orsua y Vela | 222 |
12 | Baroque/neobaroque/ultrabaroque : disruptive readings of modernity | 241 |
Afterword : redressing the Baroque | 283 |
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