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Most overviews of film are written from some high, sunlit mountaintop. In this first collection of Harlan Ellison's cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner of judging films that is definitely not plebeian. Harlan Ellison's love affair with movies is obvious. As an essayist, he has no equal; as a film critic he has no friends. Take care.
When he wasn't churning out top-shelf stories, Ellison doubled as a film critic. This 1989 volume collects his musings on film of the 1960s on up (more than 50 essays). He's not a guy to pull his punches when offering his opinions; in fact, he'll actually cram them down your throat with glee. Whether you agree with him or would prefer to string him up by his Buster Browns, Ellison is always greatly entertaining. This edition sports a new intro by Leonard Maltin.
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