Gender in Modernism: New Geographies, Complex Intersections Book

Contents

Acknowledgments....................v
Introduction: A Retro-prospective on Gender in Modernism Bonnie Kime Scott....................1
Part I. Modernist/Feminist Activism 1. SUFFRAGE AND SPECTACLE Introduced and Selected by Mary Chapman and Barbara Green....................25
2. MANIFESTOES FROM THE SEX WAR Introduced and Selected by Janet Lyon....................67
3. RADICAL MODERNS: AMERICAN WOMEN POETS ON THE LEFT Introduced and Selected by Nancy Berke....................94
Part II. Issues of Production and Reception 4. SENTIMENTAL MODERNISM Introduced and Selected by Suzanne Clark....................125
5. DEBATING FEMINISM, MODERNISM, AND SOCIALISM: BEATRICE HASTINGS'S VOICES IN THE NEW AGE Introduced and Selected by Ann Ardis....................160
6. JOURNALISM MEETS MODERNISM Introduced and Selected by Patrick Collier....................186
7. WOMEN EDITORS AND MODERNIST SENSIBILITIES Introduced and Selected by Jayne E. Marek....................225
8. HOPE MIRRLEES AND CONTINENTAL MODERNISM Introduced and Selected by Julia Briggs....................261
Part III. Diverse Identities and Geographies 9. LESBIAN POLITICAL HISTORY Introduced and Selected by Gay Wachman....................307
10. QUEER CONJUNCTIONS IN MODERNISM Introduced and Selected by Colleen Lamos....................336
11. MODERNISM, GENDER, AND PASSING Introduced and Selected by Pamela L. Caughie....................372
12. MODERNISM, GENDER, AND AFRICA Introduced and Selected by Tuzyline Jita Allan....................427
13. RACE, NATION, AND MODERNITY: THE ANTI-COLONIAL CONSCIOUSNESS OF MODERNISM Introduced and Selected bySonita Sarker....................472
Part IV. War, Technology, and Traumas of Modernity 14. WAR, MODERNISMS, AND THE FEMINIZED "OTHER" Introduced and Selected by Claire M. Tylee....................519
15. MODERNISM, TRAUMA, AND NARRATIVE REFORMULATION Introduced and Selected by Suzette A. Henke....................555
16. MODERNISM AND MEDICINE Introduced and Selected by Susan Squier....................588
17. MEDIUMSHIP, AUTOMATISM, AND MODERNIST AUTHORSHIP Introduced and Selected by Bette London....................623
Part V: Arts and Performances 18. GENDER AND COLLABORATION IN MODERN DRAMA Introduced and Selected by Katherine E. Kelly....................677
19. MODERNISM, GENDER, AND DANCE Introduced and Selected by Carol Shloss....................738
20. THE GENDER OF MODERN/1ST PAINTING Introduced and Selected by Diane F. Gillespie....................765
21. CINÉASTES AND MODERNISTS: WRITING ON FILM IN 1920S LONDON Introduced and Selected by Leslie Kathleen Hankins....................809
General Bibliography....................859
Contributors....................861
Index....................865