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Introduction | 1 | |
1 | Gloire surrenders : Watteau's military paintings | 15 |
2 | Making national heroes? : a survey of the social and political functions and meanings of major British funeral monuments to naval and military figures, 1730-70 | 41 |
3 | Legitimating the British empire : the monument to General Wolfe in Westminster Abbey | 61 |
4 | Our man in Havana : representation and reputation in Lieutenant Philip Orsbridge's Britannia's triumph (1765) | 85 |
5 | Questions of loyalty : the representation of the British West Indian colonies during the American Revolutionary War | 115 |
6 | Exhibiting war : John Singleton Copley's The siege of Gibraltar and the staging of history | 139 |
7 | The embodiment of strength : depicting a general as civil leader | 169 |
8 | 'Shocking sights of woe' : Charles Bell and the Battle of Waterloo | 189 |
9 | The material of war : Waterloo and its culture | 207 |
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Add Conflicting Visions: War and Visual Culture in Britain and France, C. 1700-1830, Conflicting Visions: War and Visual Culture in Britain and France, c.1700-1830 offers the first systematic reappraisal of the visual representation of war in Britain and France during the 'long' eighteenth century. This radical collection of essays explor, Conflicting Visions: War and Visual Culture in Britain and France, C. 1700-1830 to the inventory that you are selling on WonderClubX
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Add Conflicting Visions: War and Visual Culture in Britain and France, C. 1700-1830, Conflicting Visions: War and Visual Culture in Britain and France, c.1700-1830 offers the first systematic reappraisal of the visual representation of war in Britain and France during the 'long' eighteenth century. This radical collection of essays explor, Conflicting Visions: War and Visual Culture in Britain and France, C. 1700-1830 to your collection on WonderClub |