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Acknowledgements | ||
Introduction | 1 | |
I | The Discovery of the Chantefables at Jiading County | 15 |
II | Chantefables, Publishers and Readers | 32 |
III | Festivals, Masquerades and Chantefable Performance | 77 |
IV | Kinship and Performance: Patriarch Kai | 124 |
V | Orthodoxy and Popular Interpretation: Stock Material in Chantefables | 154 |
VI | The Literary Recycling of the Oral Tradition | 192 |
VII | Recalling the Past: the Folk Understanding of History | 228 |
VIII | Storyteller Rhetoric in Chantefables and Chantefables | 261 |
IX | Conclusion | 279 |
List of Chantefables | 292 | |
Bibliography | 296 | |
Glossary of Chinese Terms | 324 | |
Index | 335 |
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Add Chinese Popular Culture and Ming Chantefables, In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the, Chinese Popular Culture and Ming Chantefables to the inventory that you are selling on WonderClubX
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Add Chinese Popular Culture and Ming Chantefables, In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the, Chinese Popular Culture and Ming Chantefables to your collection on WonderClub |