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Book Categories |
List of Photographs | ||
Acknowledgments | ||
Introduction | ||
1 | Genesis of the Stereotypes | 1 |
2 | The Silent Scrim | 16 |
3 | The Cowboy Talkies of the 1930s, 1940s, and 1950s | 36 |
4 | Win Some and Lose Some: The 1960s and 1970s | 65 |
5 | The Sympathetic 1980s and 1990s | 101 |
6 | The American Indian Aesthetic | 178 |
7 | Coming Attractions? | 233 |
Notes | 235 | |
Filmography | 249 | |
Index | 251 |
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Add Celluloid Indians: Native Americans and Film, Native American characters have been the most malleable of metaphors for filmmakers. The likeable Doc of Stagecoach (1939) had audiences on the edge of their seats with dire warnings about that old butcher, Geronimo. Old Lodgeskins of Little B, Celluloid Indians: Native Americans and Film to the inventory that you are selling on WonderClubX
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Add Celluloid Indians: Native Americans and Film, Native American characters have been the most malleable of metaphors for filmmakers. The likeable Doc of Stagecoach (1939) had audiences on the edge of their seats with dire warnings about that old butcher, Geronimo. Old Lodgeskins of Little B, Celluloid Indians: Native Americans and Film to your collection on WonderClub |