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Acknowledgements | ||
Notes on the Contributors | ||
Introduction | 1 | |
1 | Reflections | 11 |
2 | The Most Important Reason I Write | 17 |
3 | Writing Fiction, Writing Reality | 23 |
4 | The Development of My Art as a Fiction Writer | 32 |
5 | Literary Allusion in the Fiction of Jean Rhys | 43 |
6 | Perceptions of Place: Geopolitical and Cultural Positioning in Paule Marshall's Novels | 75 |
7 | The Body of the Woman in the Body of the Text: the Novels of Erna Brodber | 97 |
8 | The Short Fiction of Olive Senior | 117 |
9 | Pauline Melville's Shape-Shifting Fictions | 144 |
10 | Jamaica Kincaid's Writing and the Maternal-Colonial Matrix | 172 |
11 | The Fiction of Zee Edgell | 184 |
12 | Dionne Brand: Writing the Margins | 202 |
A to Z of Authors and Works by Country of Origin | 219 | |
Further Reading | 224 | |
Index | 228 |
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Add Caribbean Women Writers, This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant crit, Caribbean Women Writers to the inventory that you are selling on WonderClubX
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Add Caribbean Women Writers, This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant crit, Caribbean Women Writers to your collection on WonderClub |