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A Note on the Text | ||
Foreword | ||
Pt. I | Poetry | |
1 | On Auden's Death | 3 |
2 | On Seamus Heaney | 19 |
3 | Robert Lowell's Marble Chips | 25 |
4 | Four Essays on Philip Larkin | 38 |
5 | Poetry's Ideal Critic: Randall Jarrell | 84 |
6 | Two Essays on Theodore Roethke | 90 |
7 | Charles Johnston's Catacomb Graffiti | 102 |
8 | Nabokov's Grand Folly | 117 |
9 | Stevie Smith: Not Drowning but Waving | 123 |
10 | Galway Kinnell's Great Poem | 129 |
11 | Les Murray and His Master Spirits | 136 |
12 | The Great Generation of Australian Poetry | 149 |
Pt. II | Fiction and Literature | |
13 | D. H. Lawrence in Transit | 165 |
14 | The Perpetual Promise of James Agee | 179 |
15 | The Sherlockologists | 190 |
16 | Raymond Chandler | 201 |
17 | Bitter Seeds: Solzhenitsyn | 214 |
18 | Go Back to the Cold! | 227 |
19 | A Blizzard of Tiny Kisses | 236 |
20 | A Death in Life | 245 |
21 | Primo Levi's Last Will and Testament | 259 |
22 | Primo Levi and the Painted Veil | 274 |
23 | The All of Orwell | 284 |
24 | Mark Twain, Journalist | 305 |
25 | Casanova Comes Again | 328 |
26 | Hamlet in Perspective | 340 |
Pt. III | Culture and Criticism | |
27 | F. R. Leavis in America | 349 |
28 | A Whole Gang of Noise: Susan Sontag | 358 |
29 | Germaine Greer: Getting Married Later | 362 |
30 | The Metropolitan Critic | 370 |
31 | It is of a Windiness: Lillian Hellman | 387 |
32 | Mailer's Marilyn | 394 |
33 | From Log Cabin to Log Cabin | 409 |
34 | Hard-Core Gore | 421 |
35 | Evelyn Waugh's Last Stand | 427 |
36 | As a Matter of Tact | 436 |
37 | These Staggering Questions | 443 |
38 | How Montale Earned His Living | 456 |
39 | N. V. Rampant Meets Martin Amis | 466 |
40 | Hitler's Unwitting Exculpator | 470 |
41 | He That Played the Fool | 497 |
42 | Bertrand Russell Struggles after Heaven | 502 |
Pt. IV | Visual Images | |
43 | The New Diaghilev | 521 |
44 | Pier Paolo Pain in the Neck | 525 |
45 | Mondo Fellini | 539 |
46 | Who Was That Masked Man? | 561 |
47 | The Gentle Slope to Castalia | 568 |
48 | Pictures in Silver | 585 |
Index | 605 |
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Add As of This Writing: The Essential Essays, 1968-2002, Clive James is in the tradition of Hazlitt, Bagehot, and Edmund Wilson, with a gusto to succeed theirs.—John Bayley It is impossible not to be awed by the remarkable range and massive erudition of Clive James, one of the greatest literary crit, As of This Writing: The Essential Essays, 1968-2002 to the inventory that you are selling on WonderClubX
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Add As of This Writing: The Essential Essays, 1968-2002, Clive James is in the tradition of Hazlitt, Bagehot, and Edmund Wilson, with a gusto to succeed theirs.—John Bayley It is impossible not to be awed by the remarkable range and massive erudition of Clive James, one of the greatest literary crit, As of This Writing: The Essential Essays, 1968-2002 to your collection on WonderClub |