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Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours Book

Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours
Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours, <i>Art, Identity, and Devotion in Fourteenth-Century England</i> is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom, Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours has a rating of 3 stars
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Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours, Art, Identity, and Devotion in Fourteenth-Century England is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom, Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours
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  • Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours
  • Written by author Kathryn A. Smith
  • Published by University of Toronto Press, Scholarly Publishing Division, February 2004
  • Art, Identity, and Devotion in Fourteenth-Century England is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom
  • In this exhaustive analysis, Smith (art history, New York U.) uses three richly decorated 14th-century English devotional manuscripts (the De Lisle Hours, the De Bois Hours, and the Neville de Hornby Hours) to deduce the religious practice, among other su
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Book Categories

Authors

List of Plates, Figures, Maps and Family Trees
Photographic Acknowledgements
Acknowledgements
Abbreviations
Introduction1
1The Books of Hours as Historical Documents11
2Concepts of Time57
3Devotional Themes and Pictorial and Textual Strategies152
4Functions of the Book of Hours249
Afterword295
App. 1The De Lisle Hours297
App. 2The De Bois Hours302
App. 3Coats of Arms in the De Bois Hours311
App. 4The Neville of Hornby Hours315
Bibliography325
Index of Manuscripts Cited345
Index352


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Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours, <i>Art, Identity, and Devotion in Fourteenth-Century England</i> is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom, Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours

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Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours, <i>Art, Identity, and Devotion in Fourteenth-Century England</i> is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom, Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours

Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours

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Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours, <i>Art, Identity, and Devotion in Fourteenth-Century England</i> is the first major study of three profusely illustrated, textually diverse books of hours, the De Lisle, De Bois, and Neville of Hornby Hours, all of which were made for three English laywom, Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours

Art, Identity, and Devotion in Fourteenth Century England: Three Women Patrons and their Books of Hours

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