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Acknowledgments | ||
Preface | ||
Introduction: Who Can We Shoot? The Crisis of Representation in the 1930s | 3 | |
1 | American Superrealism | 15 |
2 | Euclid's Asshole: The Dream Life of Balso Snell | 23 |
3 | "Lousy with Pure / Reeking with Stark": Contact | 47 |
4 | The People Talk: Miss Lonelyhearts | 67 |
5 | The Folklore of Capitalism: A Cool Million | 88 |
6 | The Cliches Are Having a Ball: The Day of the Locust | 113 |
Postscript: Madonna's Bustier; or "The Burning of Los Angeles" | 132 | |
Notes | 139 | |
Index | 175 |
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Add American Superrealism: Nathanael West and the Politics of Representation in the 1930s, Nathanael West has been hailed as an apocalyptic writer, a writer on the left, and a precursor to postmodernism. But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch, American Superrealism: Nathanael West and the Politics of Representation in the 1930s to the inventory that you are selling on WonderClubX
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Add American Superrealism: Nathanael West and the Politics of Representation in the 1930s, Nathanael West has been hailed as an apocalyptic writer, a writer on the left, and a precursor to postmodernism. But until now no critic has succeeded in fully engaging West's distinctive method of negation. In American Superrealism, Jonathan Veitch, American Superrealism: Nathanael West and the Politics of Representation in the 1930s to your collection on WonderClub |