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Book Categories |
| 1 | Introduction : Agamemnons in performance | 1 |
| 2 | Agamemnon for the ancients | 23 |
| 3 | 'Striking too short at Greeks' : the transmission of Agamemnon to the English Renaissance stage | 37 |
| 4 | Aeschylus' Clytemnestra versus her senecan tradition | 53 |
| 5 | Clytemnestra's ghost : the aeschylean legacy in Gluck's Iphigenia operas | 77 |
| 6 | Agamemnon's influence in Germany : Goethe, Schiller, and Wagner | 107 |
| 7 | Agamemnon : speaking the unspeakable | 119 |
| 8 | Viewing Agamemnon in nineteenth-century Britain | 139 |
| 9 | OTOTOTOI : Virgina Woolf and 'the naked cry' of Cassandra | 163 |
| 10 | Translation or transubstantiation | 189 |
| 11 | Staging Agamemnon : the languages of translation | 207 |
| 12 | Pasolini's Agamemnon : translation, screen version and performance | 223 |
| 13 | The Harrison version : 'so long ago that it's become a song?' | 235 |
| 14 | Agamemnon in Russia | 255 |
| 15 | Ariane Mnouchkine and the history of the French Agamemnon | 273 |
| 16 | The chorus of Aeschylus' Agamemnon in modern stage productions : towards the 'performative turn' | 291 |
| 17 | The millennium project : Agamemnon in the United States | 307 |
| 18 | Epilogue : Cassandra - the prophet unveiled | 343 |
| 19 | Appendix : Agamemnons on the APGRD database | 359 |
| Price | Condition | Delivery | Seller | Action |
| $199.00 | Digital |
| WonderClub |
Mark Shade
reviewed Agamemnon in Performance 458 BC to 2004 AD on April 20, 2008
Agamemnon in Performance 458 BC to 2004 AD
Listened to it via Librivox because Anne Carson (whose book on grief I've been interested in for a while but peripherally) is coming out with a translation soon and two of my favorite people are going to be in the play. Wouldn't have taken the chance but Bertie Carvel I trust a bit more than I should and am busy following him around blindly and picking up the books he drops. Hoping to get hold of Carson's translation before the play begins, hoping the play is put up digitally so I can download it, hoping Ben Whishaw doesn't give me nightmares. The audio version I had was terribly done but at least I got a semi-ok idea of what went on in the play.
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