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| Notes on Contributors | ||
| Introduction | ||
| 'I Will Not Cry': Women's theatre in the Algerian diaspora | 3 | |
| Challenging the master: Resisting 'male' virtues of the ancient Egyptian goddess Isis in the theatre of Tawfiq al-Hakim & Nawal al-Sa'dawi | 15 | |
| Of Suwa houses & singing contests: Early urban women performers in Asmara, Eritrea | 29 | |
| Contextualising women's theatre in Kenya: Alakie-Akinyi Mboya's Otongolia & Ari Katini Mwachofi's Mama ee | 47 | |
| Portraits of women in contemporary Ugandan theatre | 58 | |
| Drama in her life: Interview with Adeline Ama Buabeng | 66 | |
| Visibility, eloquence & silence: Women & theatre for development in Ghana | 83 | |
| Contemporary Nigerian theatre: The plays of Stella Oyedepo | 99 | |
| Who can silence her drums?: An analysis of the plays of Tess Onwueme | 109 | |
| Noticeboard | 122 | |
| Playscript: Glass House | 132 | |
| Book Reviews | ||
| Wale Ogunyemi: Queen Amina of Zazzau | 154 | |
| Akinwumi Isola: Madam Tinubu, The Terror of Lagos | 154 | |
| Amanda N. Adichie: For Love of Biafra | 154 | |
| Patrick Mageni wa'Ndeda: Operation Mulungusi and The Prince | 154 | |
| Duncan Brown (ed.): Oral Literature and Performance in Southern Africa | 156 | |
| Geoffrey V. Davies (ed.): Beyond the Echoes of Soweto: Five Plays by Matsemela Manaka | 158 | |
| Barney Simon: Born in the RSA: Four Workshopped Plays | 158 | |
| Jane Taylor: Ubu and the Truth Commission | 158 | |
| Osonye Tess Onwueme: The Missing Face: Musical Drama for the Voices of Colour | 161 | |
| Dele Layiwola (ed.): African Theatre in Performance | 163 | |
| L. Dale Byam: Community in Motion: Theatre for Development in Africa | 163 | |
| Kamal Salhi: The Politics and Aesthetics of Kateb Yacine: From Francophone Literature to Popular Theatre in Algeria and Outside | 168 | |
| Wole Soyinka: Death and the King's Horseman | 170 | |
| Marcia Blumberge and Dennis Walder (eds): South African Theatre As/And Intervention | 171 | |
| Loren Kruger: The Drama of South Africa: Plays, Pageants and Publics since 1910 | 171 | |
| Index | 176 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Job A Favela
reviewed African theatre on November 27, 2017
African theatre
Of all of my books for this semester, I started to read this book last. And I think that of all of my books, it is the most informative and clear. It is basically a summary of all things counseling. The only thing I would change would to add a glossary for the many, many terms it lists.
I feel like I liked this textbook much more than someone should, but in comparing it to my other textbooks...it's a savior!
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Add African theatre, Women have struggled to be heard in the world of modern African theatre. Traditionally they had secure roles as dancers, singers and storytellers, but as theatre became professionalised and commercialised, control increasingly lay with the literate elites, African theatre to the inventory that you are selling on WonderClubX
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Add African theatre, Women have struggled to be heard in the world of modern African theatre. Traditionally they had secure roles as dancers, singers and storytellers, but as theatre became professionalised and commercialised, control increasingly lay with the literate elites, African theatre to your collection on WonderClub |
