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Book Categories |
1 | Fighting words | 21 |
2 | Experience, complicity, and quality | 29 |
3 | Conversation | 39 |
4 | Juan Munoz : sound, sight, statuary | 47 |
5 | Art criticism and the aesthetic response | 65 |
6 | Where do we go from here? : the place of the artist and the NEA | 75 |
7 | Resisting the dangerous journey : the crisis of journalistic criticism | 83 |
8 | Art museums and "the public" | 99 |
9 | The curator's moment | 117 |
10 | The artist as a person | 133 |
11 | Healing in time | 143 |
12 | Audience, artist, institution, community | 159 |
13 | Maya Lin's time | 167 |
14 | Sometimes out of sight, never out of mind : the story of the hand in modernist sculpture | 191 |
15 | Giacometti's Dog | 215 |
16 | Power corrupts : for Daumier, humanity was in the streets | 239 |
17 | Magdalena's Abakanowicz's War games : monumental horizontality | 245 |
18 | The media and museums | 257 |
19 | Convenience and process : private versus public arts funding | 263 |
20 | The Guggenheim, corporate populism, and the future of the corporate museum | 277 |
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Add Acts Of Engagement, A critic, historian, and curator of art, Brenson (Bard College) presents 20 articles and essays reflecting his multiple professional identities and curiosity about the entire field of visual arts. They cover language, identity, audience, and power. They a, Acts Of Engagement to the inventory that you are selling on WonderClubX
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Add Acts Of Engagement, A critic, historian, and curator of art, Brenson (Bard College) presents 20 articles and essays reflecting his multiple professional identities and curiosity about the entire field of visual arts. They cover language, identity, audience, and power. They a, Acts Of Engagement to your collection on WonderClub |