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Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4 Book

Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4
Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4, Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c, Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4 has a rating of 3 stars
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Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4, Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c, Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4
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  • Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4
  • Written by author John Fullerton
  • Published by John Libbey Publishing, April 2005
  • Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c
  • Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c
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Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for cross-disciplinary dialogue. They discuss hardware concerns, questions of styles, reception patterns, and the cultural and social underpinnings of mediated vision. The distinction between the analog and the digital offers a focal point with implications for the charting of movements from the turn of one century to the next.

Distributed for John Libbey Publishing


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Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4, Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c, Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4

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Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4, Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c, Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4

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Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4, Allegories of Communication provides insights into the shifting configurations of moving-image technologies. Contributors focus on technological change and the intermedial aspects of moving images from a variety of perspectives underscoring the need for c, Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4

Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Stockholm Studies in Cinema), Vol. 4

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