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Book Categories |
Acknowledgments | 9 | |
Introduction | 11 | |
Ch. I | Native Culture and the Painting Tradition | 17 |
The Explorers' Observations | 22 | |
The Geographic Distribution of the Paintings | 27 | |
Ch. II | The Foundations of the Painting Tradition | 31 |
The Village | 32 | |
The House Group | 35 | |
House Names | 37 | |
The Crest System | 38 | |
Mythology and Two-Dimensional Painting | 41 | |
Ch. III | The Northern Style | 49 |
House Front and Facade Paintings | 50 | |
Interior Screens | 52 | |
Tlingit Screens and Emblems | 54 | |
Tlingit House Front Paintings | 66 | |
Tsimshian Background to Painting | 69 | |
Tsimshian Paintings | 71 | |
Haida Paintings | 77 | |
Ch. IV | The Central and Southern Traditions | 81 |
Northern Kwakiutl Paintings | 82 | |
Bella Coola Paintings | 84 | |
Southern Kwakiutl Paintings | 87 | |
Southern Kwakiutl Variations in Painting | 98 | |
Nuu chaa nulth Paintings | 104 | |
Coast Salish Painting | 107 | |
Ch. V | Characteristics of Northwest Coast Native Flat | |
Painting | 109 | |
Content of the Paintings | 111 | |
The Question of Provenance | 112 | |
Color | 113 | |
Wood | 115 | |
The Arrangement of Figures | 116 | |
Bilateral Symmetry | 118 | |
Horror Vacui | 119 | |
The X-Ray Motif | 120 | |
The Anatomy of the Face | 121 | |
Eye and Face Designs | 123 | |
The Extraordinary Place of the Tongue | 125 | |
Appendages | 127 | |
Ch. VI | The Native Artist and His World | 129 |
A Few Known Artists | 131 | |
Apprenticeship of Young Artists | 133 | |
The Transitional Artists | 136 | |
The Commissioning of a Painting | 141 | |
The Artist at Work | 142 | |
Further Questions | 145 | |
The Remarkable Case of the Rain Wall Screen | 147 | |
Ch. VII | A New Life | 151 |
The Great Surge Forward | 154 | |
Resurrecting the House Front Painting | 155 | |
The Return of the Interior Screen | 158 | |
Drawings (figures) | 161 | |
Photographs (plates) | 225 | |
Bibliography | 281 | |
Index | 284 |
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Add Northwest Coast Indian Painting: House Fronts and Interior Screens, The fascinating but nearly extinct native tradition of monumental house art in Alaska is richly documented in this sumptuous book. Through rare historical photographs and his own stunning renderings in vivid color, pioneering anthropologist Edward Ma, Northwest Coast Indian Painting: House Fronts and Interior Screens to the inventory that you are selling on WonderClubX
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Add Northwest Coast Indian Painting: House Fronts and Interior Screens, The fascinating but nearly extinct native tradition of monumental house art in Alaska is richly documented in this sumptuous book. Through rare historical photographs and his own stunning renderings in vivid color, pioneering anthropologist Edward Ma, Northwest Coast Indian Painting: House Fronts and Interior Screens to your collection on WonderClub |