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Introduction | 1 | |
Entertaining "Difference": Strains of Orientalism in Early Los Angeles Television | 12 | |
Confronting "the Indian Problem": Media Discourses of Race, Ethnicity, Nation, and Empire in 1950s America | 35 | |
Extra-Special Effects: Televisual Representation and the Claims of "the Black Experience" | 62 | |
Narrowcasting in Diaspora: Middle Eastern Television in Los Angeles | 82 | |
Re-Covering Racism: Crack Mothers, Reaganism, and the Network News | 97 | |
"Reliving the Past Over and Over Again": Race, Gender, and Popular Memory in Homefront and I'll Fly Away | 118 | |
King TV | 140 | |
Televisual Politics: Negotiating Race in the L.A. Rebellion | 161 | |
Pedro Zamora's Real World of Counter-publicity: Performing an Ethics of the Self | 195 | |
Game Theory: Racial Embodiment and Media Crisis | 219 | |
Here Comes the Judge: The Dancing Itos and the Televisual Construction of the Enemy Asian Male | 239 | |
Selected Bibliography | 255 | |
Index | 263 | |
Contributors | 273 |
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