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Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett Book

Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett
Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett has a rating of 3 stars
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Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett
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  • Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett
  • Written by author Alan W. Friedman
  • Published by Syracuse University Press, October 2007
  • "Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th
  • "Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th
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Authors

Illustrations     ix
Acknowledgments     xi
introduction     xv
Abbreviations     xxix
"Party Pieces": Oral Storytelling and Social Performance in Ireland     1
Dubliners: "Scrupulous Meanness" Versus Expansive Performance     24
Stephen Dedalus's Non Serviam Patriarchal and Performative Failure in A Portrait of the Artist as a Young Man     53
Vying for Artistry in Ulysses     75
Vying for Center Stage in Beckett's Early Plays     107
Performers and Antiperformers in Beckett's Dramaticules     143
Coda: Stage(d) Endings     180
Notes     187
Bibliography     219
Index     235


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Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett

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Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett

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Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett, Irishness has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and th, Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett

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