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Prologue | ||
Pt. I | Text and performance | |
1 | Song and written record in the early thirteenth century | |
2 | The sources of song: charisonniers, narratives, dance-song | |
3 | The performance of song in Jean Renart's Rose | |
Pt. II | The boundaries of genre | |
4 | The refrain | |
5 | Refrains in context: a case study | |
6 | Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing | |
Pt. III | The location of culture | |
7 | 'Courtly' and 'popular' in the thirteenth century | |
8 | Urban culture: Arras and the puys | |
9 | The cultural contexts of Adam de la Halle: Le Jeu de Robin et de Marion | |
Pt. IV | Modes of inscription | |
10 | Songs in writing: the evidence of the manuscripts | |
11 | Chant/fable: Aucassin et Nicolette | |
12 | Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 | |
Pt. V | Lyric and narrative | |
13 | The two Roses: Machaut and the thirteenth century | |
14 | Rewriting song: chanson, motet, salut, and dit | |
15 | Citation and authorship from the thirteenth to the fourteenth century | |
Pt. VI | Envoy: the new art | |
16 | The Formes fixes: from Adam de la Halle to Guillaume de Machaut | |
Epilogue |
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