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Book Categories |
| List of Illustrations | ||
| Preface | ||
| 1 | Introduction | 1 |
| 2 | The performance of desire | 10 |
| 3 | The eye of the beholder | 31 |
| 4 | Call me Ganymede | 53 |
| 5 | Masculine apparel | 83 |
| 6 | Mankind witches | 106 |
| 7 | Visible figures | 127 |
| Notes | 154 | |
| Index | 173 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Ken Taylor-Mosley
reviewed Impersonations: The Performance of Gender in Shakespeare's England on July 18, 2019 Impersonations: The Performance of Gender in Shakespeare's England
An excellent study into concepts of gender and sexuality in early modern England and how these relate to the practice of men exclusively playing women on the Elizabethan and Jacobean stage.
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Add Impersonations: The Performance of Gender in Shakespeare's England, Why was England the only country in Europe to maintain an all-male public theater in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and so, Impersonations: The Performance of Gender in Shakespeare's England to the inventory that you are selling on WonderClubX
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Add Impersonations: The Performance of Gender in Shakespeare's England, Why was England the only country in Europe to maintain an all-male public theater in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and so, Impersonations: The Performance of Gender in Shakespeare's England to your collection on WonderClub |
