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Acknowledgments | ||
Preface | ||
Ch. 1 | Split Affinities: Representing Interracial Rape | 1 |
Ch. 2 | Class and Gender in Narratives of Passing | 35 |
Ch. 3 | Authenticity in Narratives of the Black Middle Class | 63 |
Ch. 4 | Intersectionality and Experiments in Black Documentary | 89 |
Ch. 5 | Convergences: 4/29/92 | 123 |
Notes | 141 | |
Index | 163 |
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