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Acknowledgements vii
About the author ix
Introduction - what's so great about analog? xi
What is analog? 1
Sound 1
Frequency 2
Loudness 3
Wave shape 4
Harmonics and overtones 6
Noise 7
Phase 8
Synthesizer components 9
Circuit design 13
Sound design 14
Aspects of analog sound 16
Voltage-controlled oscillator 17
Voltage-controlled filter 21
Envelope generator 22
Voltage-controlled amplifier 23
Low-frequency oscillator 24
White noise source 25
Sample-and-hold 26
Wave shaper 27
Ring modulator 27
Subharmonic oscillator 28
Resonator 29
Frequency shifter 29
Morphing filter 30
Vocoder 31
Sequencer 33
Keyboard 36
MIDI interface 41
Assorted modules 41
The birthof analog, the manufacturers and the artists 46
Moog 48
ARP 60
EMS 63
Oberheim 69
Sequential 72
Yamaha 76
Korg 81
Roland 87
The growth of analog 97
Italy 97
France 103
The Netherlands 103
Japan 104
United Kingdom 110
Germany 115
USA 119
Using and programming analog 128
Classical and avant-garde programmers 128
Jazz programmers 136
Pop and TV music programmers 139
Rock programmers 145
Pure synthesizer programmers 153
Techno-pop programmers 163
Programming for orchestral imitation 171
Programming rock, pop and electric sounds 177
Programming abstract sounds 181
Ten great analog sounds 190
The analog revival 194
Using and programming virtual analog hardware and software 230
Virtual analog programming 231
Virtual oscillators 232
Virtual filters 234
Virtual LFOs 236
Virtual envelopes 236
Virtual controllers 237
Alternative applications 239
Analog software 241
Classic instruments - specifications and values 255
Modern analog and virtual analog hardware instruments 267
Purchasing guide for analog instruments 274
Bibliography 288
Discography 291
Contacts 300
Audio CD tracks 302
Index 309
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