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Reviews for Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema

 Text, Performance, and Gender in Chinese Literature and Music magazine reviews

The average rating for Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema based on 2 reviews is 4 stars.has a rating of 4 stars

Review # 1 was written on 2019-10-24 00:00:00
2009was given a rating of 5 stars Gil Udry
Q: Was he a gay man pretending to be straight, or a straight man pretending to be gay? A: Yes! Q: Omi's armpits: vagina or anus? A: Yes! Q: Mizoguchi's cigarette, smoked as Kinkakuji burns, nipple or phallus? A: Yes! Which is great, and he's probably right, but it also seems like everything is the same. Mishima's raping men to kill them, or killing women to rape them. He's raping things because he loves them, raping things because he wants to be them, raping things because he hates them. And, of course, it's always a little bit of all three. Where do we go from here? Well, you definitely need to read this if you are a right-wing nutjob and Mishima is your hero because he was really heroic. But if you suspect that he hated himself and wished he was dead, then you're fine. Piven includes a great chapter with some real don-on-don hatred. I haven't read Napier's "Escape from the wasteland: Romanticism and realism in the fiction of Mishima Yukio and Oe Kenaburo" but, if Piven is fair in his representation, Napier sounds a little bit nuts. But I doubt he's being fair. They can probably agree to disagree on a fundamental: how do books get written? Piven thinks that they bubble out of people; Napier is more that someone sits down and represents the world they see around them. Piven needs to remember that the expression of Mishima's sexual perversion was literary not literal (for the most part). He didn't rape anyone in real life, Jerry! "Penises are valuable because they allow escape from the enveloping threat of the pre-oedipal mother. The classical concept of castration anxiety is thus most deeply understood not as a dread of losing the organ itself, but of succumbing to engulfment". Castration anxiety? I remain more anxious about psychoanalysts using "castration" in relation to anything other than the testicles. Don't they need a new term? It seems strange to be so vague. Piven talks about castrating an erect penis at one point, and I wasn't sure what we were chopping off / "succumbing to engulfment". ==================== I forgot to mention that Piven makes a mistake on page 75, in his notes to chapter 2: Meredith Weatherby was a man! I checked, and there's a photo of him in a Donald Richie book. This is quite interesting:
Review # 2 was written on 2019-01-20 00:00:00
2009was given a rating of 3 stars Tanya Cornale
One of the purest distillations of divinity I have ever read - inspired me.


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