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Reviews for The Music of the Sumerians and Their Immediate Successors: The Babylonians and Assyrians, Described and Illustrated from Original Sources

 The Music of the Sumerians and Their Immediate Successors magazine reviews

The average rating for The Music of the Sumerians and Their Immediate Successors: The Babylonians and Assyrians, Described and Illustrated from Original Sources based on 2 reviews is 3 stars.has a rating of 3 stars

Review # 1 was written on 2008-06-09 00:00:00
1970was given a rating of 3 stars Brenda Granados
Collection of numerous articles by D'Accone, originally published separately. The author's other books and articles have been very helpful to me--he really sticks to the sources and avoids simplistic summaries, which is terrific. However, this particular book is one of those ridiculous nonfiction academic books that don't have a real index to speak of, so if you're gathering research, you have to skim the whole thing. (In this age of word processors, is there really a compelling reason not to have a good index in a nonfiction work? Maybe because it causes more people to read the whole book?) Oh well.
Review # 2 was written on 2017-04-16 00:00:00
1970was given a rating of 3 stars Judson Spangler
This is an amazing, amazing book that deserves so much more recognition than it is likely getting. Anyone who rates it less than "five stars" doesn't understand its significance. It really isn't even something you can rate. It's an American classic, a historic document. Imagine a young single white woman in the late 1800's taking to the road, by herself or sometimes with some company, to visit what remains of the major Native American tribes in the United States. Imagine creating enough of a relationship with the elders of each of these tribes to record some of their most sacred chants and songs (includes the actual music scores). Imagine capturing some of their images with cameras of that time. Natalie Curtis knew Native Americans as they might have been before European colonialism, were on the verge of extinction. As is said in other reviews, this is nothing less than a seminal work all the more tragic because she was killed just a few days after presenting it at the Sorbonne. This book is an American treasure and classic that preserves and honors not only Native American tribes but the compassion and vision of Natalie Curtis herself.


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