Reviews for Too Beautiful to Picture: Zeuxis, Myth, and Mimesis

The average rating for Too Beautiful to Picture: Zeuxis, Myth, and Mimesis based on 2 reviews is 3.5 stars.

Review # 1 was written on 2020-06-15 00:00:00 Alexander Mezhirov This a catalogue for an exhibition I didn't see - it showed in London and Cardiff but not Bath - but I wish I had! Sisley was born and brought up in France by British parents. He was fluent in French and English and maintained dual nationality throughout his life. He was one of the core group of first-wave Impressionists, frequently painting literally alongside Monet and Renoir. However, he visited Britain a number of times and spent time painting in and near London and on the South Wales coast. The exhibition assembled as many of these scenes as it could and impressive it must have been; even the modestly sized reproductions in this book show that Sisley could hold his own with the other Big Name Impressionists. He even painted a certain seascape repeatly in different weathers and times of day a la Monet serial paintings. These pictures of the Bristol Channel coast are my particular favourites. From this distance, what with Impressionism being allegedly the world's most popular Fine Art movement, it's hard to understand how the artists' contemporaries circa 130-150 years ago, frequently didn't understand Impressionism, forcing the artists to hold their own exhibitions, and leaving Sisley in poverty much of his life, struggling to find buyers for his work. Much of it was destroyed during the Franco-Prussian War - surely a great loss to the art world. But Sisley is now recognised for his talent and still inspires artists today - he's a particular favourite of Bath's own Pete "the Street" Brown.

Review # 2 was written on 2009-04-25 00:00:00 Wilson Yee I was in the mood for a book about art and this is what I plucked from the library shelf. A slim volume about Alfred Sisley's English and Welsh landscapes. I liked the way we are shown other impressionist works for comparison and found the whole work about two interludes in Sisley's otherwise largely France-based life very interesting. The paintings were glorious.