Reviews for It's snowing! It's snowing!

The average rating for It's snowing! It's snowing! based on 2 reviews is 3 stars.

Review # 1 was written on 2016-02-22 00:00:00 Ken Blakeslee It's no secret that illustrations influence the tone and quality of a book. When It's Snowing! It's Snowing! came out in 1984, it featured black-and-white drawings by Jeanne Titherington, but upon its 2006 republication, all-new illustrations by Yossi Abolafia were swapped in, and the two artists' styles are dramatically different. Jack Prelutsky worked with Marilyn Hafner in It's Valentine's Day, It's Halloween, It's Thanksgiving, and It's Christmas, and Yossi Abolafia's style is much closer to hers than Jeanne Titherington's was, so natural continuity feels more in place for Yossi Abolafia's It's Snowing! It's Snowing! than the original version. Ultimately, the artwork in both incarnations of the book is so tenderly expressive of Jack Prelutsky's poetic sentiment that I can't commend either illustrator as substantially better than the other, though if pressed to choose, I'd pick Yossi Abolafia for this book. His artistry is more versatile than Jeanne Titherington's, suited for the comedic as well as the sublime, and that's an ideal fit for Jack Prelutsky. The collection of sixteen poems begins with the title verse, a lighthearted ode to the excitement of the year's inaugural snow, and the vague yet insistent hope that if enough of the powdery white settles on the ground before morning, school might be cancelled the next day. What's a more welcome relief than a day off in the midst of the coldest portion of the year? One Last Little Leaf sees the world poised on the verge of winter, reluctant to take that last step into the icy deluge that's going to set in for the next several months. As long as summer birds still tweet and a leaf or two remains high in the trees, the worst of winter has to wait before roaring in and taking over everyday life. But One Last Little Leaf is more deeply meaningful than just a snapshot of our collective hesitation on the threshold of winter solstice. It's a poignant picture of expectation as it drifts toward hopelessness, the optimism of youth and spring dying out or going dormant under snowy sheets of bitter cold. But does not a ray of sunshine pierce tomorrow's gloom as long as that one little leaf holds tightly to its branch, as long as the songbird stays firmly on its perch and warbles tunes of warmth and hope? Sometimes a lone, sweet robin and a tenacious green leaf are all that stands between us and the frigid grasp of winter. "There's a leaf clinging fast to a branch, though withered, it somehow holds on, and a single bird singing its song, though all of its kindred have gone. And as long as that little leaf stays, and as long as that stubborn bird sings, then autumn remains in the world, and winter must wait in the wings." 'One Last Little Leaf, P. 10 December Days Are Short is next, depicting a day playing in the snow with friends, from just after breakfast until sunset. Darkness descends quickly in the dead of winter, so there's not a lot of time for outdoor games, to the chagrin of kids everywhere. But don't our best days tend to feel shortest no matter what part of the year they take place? December Days Are Short is one poem where Yossi Abolafia's illustrations have an advantage over Jeanne Titherington's, but hers retain a certain charm, too, particularly the picture of our smiling main character standing atop a pyramid of five other kids on their hands and knees in the snow. I'll take Yossi Abolafia's rendering of the kids dragging their sleds off into the setting sun instead, but both images are nice. Shadow Thought and Winter Signs are snippets of seasonal observation, and Winter's Come is a parade of lovely language that shows the full onset of the solstice, as the mercury plunges to forbidding temperatures and realization sets in that ice, snow, and slush are going to be our ever-present companions for a long while. Jeanne Titherington's black-and-white snowy landscapes are especially evocative of the feeling this poem conveys. My Mother Took Me Skating displays Jack Prelutsky's famed sense of humor, the story of a mom who's quite competent at figure skating bringing her kid to the outdoor rink. Yossi Abolafia's illustration demonstrates the payoff of the poem's comical final line much more clearly than Jeanne Titherington's. My Snowman Has a Noble Head sees a couple of boys building a stocky snowman complete with all manner of accoutrements, but the snowman may be subconsciously modeled after a certain member of the family. Winter is notorious as cold and flu season, and I Am Freezing! leads up to the reveal that the kid has a head cold which is likely to curtail his fun in the snow for a week or two. We move on to My Sister Would Never Throw Snowballs at Butterflies, about a boy whose sibling never pelts any other creature with missiles of compact ice and snow, but wouldn't miss the chance to fire a few at him. Snowball fights are one of the unique recreations of the season. My Mother's Got Me Bundled Up is reminiscent of Ralphie and Randy Parker's plight in the classic holiday movie A Christmas Story, with a mother who packs her children so tightly in warm clothes that they can hardly stand or walk. "Getting ready to go to school was like getting ready for extended deep-sea diving," Ralphie says in the movie. "I'm a living, breathing model of a walking clothing shop" is how Jack Prelutsky describes the kids' predicament in It's Snowing! It's Snowing!. My Mother's Got Me Bundled Up is an amusing, nostalgic bit of poetry. Stuck in the Snow is a short, quippy verse that gets in a good grumble about having to shovel snow, a gripe revisited later in this collection. Kids generally don't mind extreme weather in winter as long as the snow is fluffy and fun to play in, as I Do Not Mind You, Winter Wind observes. But even a patient child who doesn't stew over long stretches of brutal cold can be upset by winter when it gets a little too pushy. The concluding line of the poem is classic Jack Prelutsky, lightly humorous and full of the season's positive energy. "A snowflake fell into my hand, a tiny, fragile gem, a frosty crystal flowerlet with petals, but no stem. I wondered at the beauty of its intricate design, I breathed, the snowflake vanished, but for moments, it was mine." 'A Snowflake Fell, P. 41 Incredible. A Snowflake Fell is the centerpiece of this book, by far the most powerful poem, resonating in perpetuity into forgotten corners of the human soul. The beauty of light and love and happiness and joy that we see in winter like no other season, seeming as though it will never end and then suddenly shifting to spring, is palpable in this poem, but there's so much more than that. The enchantedness of life is an impossibly intricate snowflake melting in our hand faster than we can savor it, in our grasp one second and dissolved into eternity the next, a glorious miniature tapestry of silken frost created and destroyed with no voice to sing of its splendor for all who never witnessed its complex beauty up close. A Snowflake Fell brings to mind no less urgently the memory of loved ones who waft into our sphere of existence like delicate, downy specks of frozen precipitation, blessing us with their closeness when they miraculously settle into our outstretched palm. Yet we know that regardless how fervently we wish to keep them forever just as they were in that first moment, forever is a petition granted no one in this lifetime. We marvel at the engineering that created them, but snow always warms into water, and the awesome artistry of our own favorite snowflake eventually dissolves back into elemental homogeny. But what a wondrous time we had when we cradled them in the palm of our hand, unapologetically, inarguably ours. A Snowflake Fell is Jack Prelutsky at his utmost, as good as any verse Shel Silverstein wrote, the magnum opus of an author whose crowning as Children's Poet Laureate of the United States was affirmation to every youngster who ever picked up a Prelutsky poem and loved what they read. When Snowflakes Are Fluttering uses the most gorgeous language of the entire volume, vivid, sensuous descriptions of snow in its varied forms. "When snowflakes are fluttering fluttering fluttering down in the cold winter night, I watch with surprise, as they fill up my eyes with uncountable pinpoints of light." "When snowflakes are shimmering shimmering shimmering gently on top of my hair, to give me a crown of soft powdery down, I wish they would always be there." Some of the prettiness of When Snowflakes Are Fluttering is the use of special fonts, which can't be reproduced in this review, but the effulgent language speaks for itself. Even without the sixteenth poem, It's Snowing! It's Snowing! would have ended on a high note for the inclusion of When Snowflakes Are Fluttering. "My Snowman sadly bowed his head in March, one sunny day, and this is what he softly said before he went away: 'IN THE MIDDLE OF DECEMBER I WAS HANDSOME, ROUND, AND TALL, NOW I HARDLY CAN REMEMBER THOSE DECEMBER DAYS AT ALL. OH MY STOMACH'S STARTED SHRINKING, I AM LOSING ALL MY FORM, AND I'M THINKING AS I'M SHRINKING THAT I WISH IT WEREN'T WARM. I CAN FEEL MY SHOULDERS STOOPING AS MY BODY'S GETTING THIN, MY NOSE HAS STARTED DROOPING AND MY MOUTH HAS LOST ITS GRIN, I AM SURELY GETING SHORTER, THERE IS LITTLE LEFT OF ME, MY HEAD IS BUT A QUARTER OF THE SIZE IT USED TO BE. I AM GETTING HARD OF HEARING AND MY VISION'S LITTLE USE, FOR MY EARS ARE DISAPPEARING AND MY EYES ARE COMING LOOSE. THROUGH THE ICY WEEKS OF WINTER I STOOD PROUDER THAN A KING, NOW I'M THINNER THAN A SPLINTER, WINTER'S MELTING INTO SPRING!'" 'The Snowman's Lament, PP. 44-47 The last poem of the lot, The Snowman's Lament, is as emotional as anything in this collection, a profoundly poignant construct about the transience of life and how fleeting one's time is at the top of the mountain. Our best days whiz by as quickly as they do because we're never going to be ready for them to end; once we've tasted the pleasures of achievement and personal contentment, we'll never happily settle for less. Life is shorter than we care to admit, and the time is nigh upon us when the superb strength we depended on to carry the day so many times will falter, and a wave of melting heat unlike any we've encountered will be too much to withstand. But though we're shrinking by the day and can't figure out how to freeze time for even a moment to regain our bearings and appreciate the twilight of our season in the sun as the clock runs out on us, it's not all bad. What we have today melts only because spring is imminent, the renewal of all that's excellent and beautiful and worthy just like what we held dear in the halcyon days of our past. There's a new chapter to write, pen poised to start scrawling, a new season of warmth and vitality following on the heels of prolonged winter. As excruciating as the process of death and rebirth is, sometimes it's best to start over, and our cherished days of yore won't be forgotten in the rejuvenation of seasons to come. There's always another spring, summer, fall, and winter to follow, and as long as that cycle remains, so too will our hope of revisiting past glories through the miracle of renewal. Jack Prelutsky is purveyor of more quality poetry than just about any other children's author in American history, but he's raised the bar for himself in It's Snowing! It's Snowing! Several strong selections stand out, but to me this anthology clearly revolves around One Last Little Leaf, A Snowflake Fell, and The Snowman's Lament, three of the best pieces Jack Prelutsky ever composed. Chiefly because of those three poems, I'm rating It's Snowing! It's Snowing! three and a half stars, and seriously considered rounding that up to four. Procuring two copies of the book'one with Jeanne Titherington's illustrations, the other with Yossi Abolafia's'is worth the time and effort, as the poems feel quite different depending on who's bringing them to visual life. If I were to suggest just one Jack Prelutsky book to get a reader hooked on his writing, it would probably be It's Snowing! It's Snowing!, which is saying a lot for the creator of so many volumes of distinguished poetry adored by multiple generations. I love this book more than I know how to express, and hope it stands through time as testament to one of the great youth poets the world has known. See you next winter, Jack Prelutsky, when you and every gentle snowflake and proud snowman anyone ever loved will once again reanimate in the pages of this book. I look forward to it.

Review # 2 was written on 2016-02-22 00:00:00 Eileen Willems It's no secret that illustrations influence the tone and quality of a book. When It's Snowing! It's Snowing! came out in 1984, it featured black-and-white drawings by Jeanne Titherington, but upon its 2006 republication, all-new illustrations by Yossi Abolafia were swapped in, and the two artists' styles are dramatically different. Jack Prelutsky worked with Marilyn Hafner in It's Valentine's Day, It's Halloween, It's Thanksgiving, and It's Christmas, and Yossi Abolafia's style is much closer to hers than Jeanne Titherington's was, so natural continuity feels more in place for Yossi Abolafia's It's Snowing! It's Snowing! than the original version. Ultimately, the artwork in both incarnations of the book is so tenderly expressive of Jack Prelutsky's poetic sentiment that I can't commend either illustrator as substantially better than the other, though if pressed to choose, I'd pick Yossi Abolafia for this book. His artistry is more versatile than Jeanne Titherington's, suited for the comedic as well as the sublime, and that's an ideal fit for Jack Prelutsky. The collection of sixteen poems begins with the title verse, a lighthearted ode to the excitement of the year's inaugural snow, and the vague yet insistent hope that if enough of the powdery white settles on the ground before morning, school might be cancelled the next day. What's a more welcome relief than a day off in the midst of the coldest portion of the year? One Last Little Leaf sees the world poised on the verge of winter, reluctant to take that last step into the icy deluge that's going to set in for the next several months. As long as summer birds still tweet and a leaf or two remains high in the trees, the worst of winter has to wait before roaring in and taking over everyday life. But One Last Little Leaf is more deeply meaningful than just a snapshot of our collective hesitation on the threshold of winter solstice. It's a poignant picture of expectation as it drifts toward hopelessness, the optimism of youth and spring dying out or going dormant under snowy sheets of bitter cold. But does not a ray of sunshine pierce tomorrow's gloom as long as that one little leaf holds tightly to its branch, as long as the songbird stays firmly on its perch and warbles tunes of warmth and hope? Sometimes a lone, sweet robin and a tenacious green leaf are all that stands between us and the frigid grasp of winter. "There's a leaf clinging fast to a branch, though withered, it somehow holds on, and a single bird singing its song, though all of its kindred have gone. And as long as that little leaf stays, and as long as that stubborn bird sings, then autumn remains in the world, and winter must wait in the wings." 'One Last Little Leaf, P. 10 December Days Are Short is next, depicting a day playing in the snow with friends, from just after breakfast until sunset. Darkness descends quickly in the dead of winter, so there's not a lot of time for outdoor games, to the chagrin of kids everywhere. But don't our best days tend to feel shortest no matter what part of the year they take place? December Days Are Short is one poem where Yossi Abolafia's illustrations have an advantage over Jeanne Titherington's, but hers retain a certain charm, too, particularly the picture of our smiling main character standing atop a pyramid of five other kids on their hands and knees in the snow. I'll take Yossi Abolafia's rendering of the kids dragging their sleds off into the setting sun instead, but both images are nice. Shadow Thought and Winter Signs are snippets of seasonal observation, and Winter's Come is a parade of lovely language that shows the full onset of the solstice, as the mercury plunges to forbidding temperatures and realization sets in that ice, snow, and slush are going to be our ever-present companions for a long while. Jeanne Titherington's black-and-white snowy landscapes are especially evocative of the feeling this poem conveys. My Mother Took Me Skating displays Jack Prelutsky's famed sense of humor, the story of a mom who's quite competent at figure skating bringing her kid to the outdoor rink. Yossi Abolafia's illustration demonstrates the payoff of the poem's comical final line much more clearly than Jeanne Titherington's. My Snowman Has a Noble Head sees a couple of boys building a stocky snowman complete with all manner of accoutrements, but the snowman may be subconsciously modeled after a certain member of the family. Winter is notorious as cold and flu season, and I Am Freezing! leads up to the reveal that the kid has a head cold which is likely to curtail his fun in the snow for a week or two. We move on to My Sister Would Never Throw Snowballs at Butterflies, about a boy whose sibling never pelts any other creature with missiles of compact ice and snow, but wouldn't miss the chance to fire a few at him. Snowball fights are one of the unique recreations of the season. My Mother's Got Me Bundled Up is reminiscent of Ralphie and Randy Parker's plight in the classic holiday movie A Christmas Story, with a mother who packs her children so tightly in warm clothes that they can hardly stand or walk. "Getting ready to go to school was like getting ready for extended deep-sea diving," Ralphie says in the movie. "I'm a living, breathing model of a walking clothing shop" is how Jack Prelutsky describes the kids' predicament in It's Snowing! It's Snowing!. My Mother's Got Me Bundled Up is an amusing, nostalgic bit of poetry. Stuck in the Snow is a short, quippy verse that gets in a good grumble about having to shovel snow, a gripe revisited later in this collection. Kids generally don't mind extreme weather in winter as long as the snow is fluffy and fun to play in, as I Do Not Mind You, Winter Wind observes. But even a patient child who doesn't stew over long stretches of brutal cold can be upset by winter when it gets a little too pushy. The concluding line of the poem is classic Jack Prelutsky, lightly humorous and full of the season's positive energy. "A snowflake fell into my hand, a tiny, fragile gem, a frosty crystal flowerlet with petals, but no stem. I wondered at the beauty of its intricate design, I breathed, the snowflake vanished, but for moments, it was mine." 'A Snowflake Fell, P. 40 Incredible. A Snowflake Fell is the centerpiece of this book, by far the most powerful poem, resonating in perpetuity into forgotten corners of the human soul. The beauty of light and love and happiness and joy that we see in winter like no other season, seeming as though it will never end and then suddenly shifting to spring, is palpable in this poem, but there's so much more than that. The enchantedness of life is an impossibly intricate snowflake melting in our hand faster than we can savor it, in our grasp one second and dissolved into eternity the next, a glorious miniature tapestry of silken frost created and destroyed with no voice to sing of its splendor for all who never witnessed its complex beauty up close. A Snowflake Fell brings to mind no less urgently the memory of loved ones who waft into our sphere of existence like delicate, downy specks of frozen precipitation, blessing us with their closeness when they miraculously settle into our outstretched palm. Yet we know that regardless how fervently we wish to keep them forever just as they were in that first moment, forever is a petition granted no one in this lifetime. We marvel at the engineering that created them, but snow always warms into water, and the awesome artistry of our own favorite snowflake eventually dissolves back into elemental homogeny. But what a wondrous time we had when we cradled them in the palm of our hand, unapologetically, inarguably ours. A Snowflake Fell is Jack Prelutsky at his utmost, as good as any verse Shel Silverstein wrote, the magnum opus of an author whose crowning as Children's Poet Laureate of the United States was affirmation to every youngster who ever picked up a Prelutsky poem and loved what they read. When Snowflakes Are Fluttering uses the most gorgeous language of the entire volume, vivid, sensuous descriptions of snow in its varied forms. "When snowflakes are fluttering fluttering fluttering down in the cold winter night, I watch with surprise, as they fill up my eyes with uncountable pinpoints of light." "When snowflakes are shimmering shimmering shimmering gently on top of my hair, to give me a crown of soft powdery down, I wish they would always be there." Some of the prettiness of When Snowflakes Are Fluttering is the use of special fonts, which can't be reproduced in this review, but the effulgent language speaks for itself. Even without the sixteenth poem, It's Snowing! It's Snowing! would have ended on a high note for the inclusion of When Snowflakes Are Fluttering. "My Snowman sadly bowed his head in March, one sunny day, and this is what he softly said before he went away: 'In the middle of December I was handsome, round, and tall, now I hardly can remember those December days at all. Oh my stomach's started shrinking, I am losing all my form, and I'm thinking as I'm shrinking that I wish it weren't warm. I can feel my shoulders stooping as my body's getting thin, my nose has started drooping and my mouth has lost its grin, I am surely getting shorter, there is little left of me, my head is but a quarter of the size it used to be. I am getting hard of hearing and my vision's little use, for my ears are disappearing and my eyes are coming loose. Through the icy weeks of winter I stood prouder than a king, now I'm thinner than a splinter, winter's melting into spring!'" 'The Snowman's Lament, PP. 44-48 The last poem of the lot, The Snowman's Lament, is as emotional as anything in this collection, a profoundly poignant construct about the transience of life and how fleeting one's time is at the top of the mountain. Our best days whiz by as quickly as they do because we're never going to be ready for them to end; once we've tasted the pleasures of achievement and personal contentment, we'll never happily settle for less. Life is shorter than we care to admit, and the time is nigh upon us when the superb strength we depended on to carry the day so many times will falter, and a wave of melting heat unlike any we've encountered will be too much to withstand. But though we're shrinking by the day and can't figure out how to freeze time for even a moment to regain our bearings and appreciate the twilight of our season in the sun as the clock runs out on us, it's not all bad. What we have today melts only because spring is imminent, the renewal of all that's excellent and beautiful and worthy just like what we held dear in the halcyon days of our past. There's a new chapter to write, pen poised to start scrawling, a new season of warmth and vitality following on the heels of prolonged winter. As excruciating as the process of death and rebirth is, sometimes it's best to start over, and our cherished days of yore won't be forgotten in the rejuvenation of seasons to come. There's always another spring, summer, fall, and winter to follow, and as long as that cycle remains, so too will our hope of revisiting past glories through the miracle of renewal. Jack Prelutsky is purveyor of more quality poetry than just about any other children's author in American history, but he's raised the bar for himself in It's Snowing! It's Snowing! Several strong selections stand out, but to me this anthology clearly revolves around One Last Little Leaf, A Snowflake Fell, and The Snowman's Lament, three of the best pieces Jack Prelutsky ever composed. Chiefly because of those three poems, I'm rating It's Snowing! It's Snowing! three and a half stars, and seriously considered rounding that up to four. Procuring two copies of the book'one with Jeanne Titherington's illustrations, the other with Yossi Abolafia's'is worth the time and effort, as the poems feel quite different depending on who's bringing them to visual life. If I were to suggest just one Jack Prelutsky book to get a reader hooked on his writing, it would probably be It's Snowing! It's Snowing!, which is saying a lot for the creator of so many volumes of distinguished poetry adored by multiple generations. I love this book more than I know how to express, and hope it stands through time as testament to one of the great youth poets the world has known. See you next winter, Jack Prelutsky, when you and every gentle snowflake and proud snowman anyone ever loved will once again reanimate in the pages of this book. I look forward to it.