Reviews for Pierre And Jean (Large Print Edition)

The average rating for Pierre And Jean (Large Print Edition) based on 2 reviews is 3 stars.

Review # 1 was written on 2019-05-10 00:00:00 Paul Pinksten My first for the 2016 Australian Women Writers Reading Challenge and it was an ok one. This is the story of a young girl searching for answers about herself and her mother. It wasn't that I didn't enjoy it, but it didn't keep me engaged all the way through to be honest. The main character was a little overly dramatic and somewhat annoying in places. I read this one basically because I was to read the author's 2nd novel His Other House, so we'll have to wait and see if that is any more established.

Review # 2 was written on 2020-08-20 00:00:00 Guy Gill Sarah Armstrong's first novel, Salt Rain, has a lot of things going for it: it's short (224 pages), it keeps its roll-call of characters to a minimum, it keeps the story-line moving ever onward, and it keeps the time-frame of the plot to a period of only a month or two. I don't want to seem patronising when I say that but a lot of first novels feel rather bloated in terms of character numbers, time-frame and page-count, and this one doesn't. And in my view that's a big plus right from the outset. Salt Rain concerns the story of Allie, a fourteen-year-old girl living with her single mother Mae in Sydney. One night Mae goes missing and her sister Julia arrives to take Allie back to her mother's rain-forest valley home. There she waits for news of her mother, meeting her extended family and attempting to piece together the true story of her mother and of her own birth. Mae has been a story-teller, embellishing and polishing her history for Allie's benefit, which has left Allie with a distorted view of her own beginnings: including the true identity of her father. Was it Saul, the First Love (sic), who still lives next door to Julia, or the balloon man from the fair as Mae always made out? Allie has to cross a number of boundaries during her journey into the truth about her family, with most of the crossings being painful. The only trouble is, the revelations, as they come to light, are meant to be surprising, yet few of them are unguessable. Younger readers might find the final truth disturbing, older ones - such as the present reviewer - have seen it before. But that is not to say that the journey is unsatisfying. On the contrary, Armstrong has a fine readable style, she sketches interesting characters and landscapes; though having Mae, the most interesting of the bunch, off-stage for the bulk of the book is a bit of a dampener. There's a lot of promise here and I look forward to her future work.