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Reviews for The Heritage of British literature

 The Heritage of British literature magazine reviews

The average rating for The Heritage of British literature based on 2 reviews is 4.5 stars.has a rating of 4.5 stars

Review # 1 was written on 2013-03-07 00:00:00
0was given a rating of 4 stars Andrew Stacy
I don't normally write throwaway reviews, but in this case I'm kind of compelled to as I feel reading this has left me with a mindset similar to that of a drained-battery talking toy: all slurred nonsense and encroaching entropy. That's not what you want from something that, on the face of it, should be a ball-tearing recitation of forgery, counterfeit and outright literary bullshittery. There's portraits of famed fakes, that's for sure: the early-dead Thomas Chatterton, the pugnacious James Macpherson, William Henry the Bard-fancier and poisoner Thomas Wainewright. But there's a feeling of overly-academic stultification to the copy, and it's difficult to follow a line through the text. Here's a sample sentence. Chatterton was always pictured as a youth with shoulder-length hair rather than as a young buck in a peruke; he was pictured as bright-eyed, even goggle-eyed in one posthumous portrait; of course there was his opium eating and, like Adam in Eden, his vegetarianism.And that's one of the better ones. There's too much uncertainty, too much bolstering with literary theory. I spent the first third of the book waiting for the slack to be taken up, for excitement to build, and it didn't. I gave this two stars because there is a goodly amount of research and reference in here. There's no doubt Groom has spent a lot of time researching his subjects: it's just that without the apparent hand of an editor, the book is unable to escape the author's weight of words.
Review # 2 was written on 2021-03-16 00:00:00
0was given a rating of 5 stars Lidia V Ferrentino
Altick's survey of the history of reading in the 19th century has remained a mainstay for anyone interested in the literature, print culture, or social history of the Victorian era. It is also a remarkably accessible study, given that so much of it is based on texts no longer read much even by Victorianists. The book examines a number of influences that contributed to reading practices among the working classes. Perhaps most importantly, Altick reveals that our own assumptions towards public education as a necessary good developed out a 19th century context that was more ambivalent towards literacy for the working classes and saw reading as potentially subversive and dangerous. As the ruling classes found themselves confronted with first the French Revolution and then later the Napoleonic Wars, the idea of teaching the rumbling working classes to read such works as Thomas Paine's Common Sense was hardly an attractive one. Literature might have the power to soothe the working classes into a state of complacency, in which the ills of alcohol, lust, and crime would have no appeal, but it might also have the power to rouse dissatisfied, hungry crowds into a frenzy. Erring on the side of protecting their own interests, the ruling classes frustrated attempts at public education, voting reform, and the repeal of the "taxes on knowledge" (i.e., stamp and paper duties that made it all but impossible for working and lower-middle class people to buy reading material) until essentially the mid-century. The subject matter is replete with anecdotal material of the type that opens all kinds of doors into how people actually lived, versus how we often see them represented as living. So, for example, Altick explains that a number of factors held back the working classes from reading, even if they were literate and had access to reading materials. Candles, for example, were expensive and houses were crowded; for a single reader to monopolize a candle (instead of a rush lamp, which gave off weaker light) was expensive and unlikely. The chances of using natural light were slim, as well, given the taxes on windows. The issue of windows is obliquely referred to later, as well, when Altick recounts a window as one of a family's prized possessions--the window was removed from the house each time the family relocated. Altick's sympathies are clearly with the working classes and those who fought for their rights. It is a bias that is particularly clear in the footnotes, where Altick allows his ironic, dry humor freer reign. In discussing the evangelical push for public education, and the arguments repeatedly used in favor of reading as a bulwark against crime and sin, Altick notes: "Contemporary advocates of adult schools found it easier to dwell upon the reformation in manners and morals that the institutions accomplished. A man who had lived with a woman for twenty years, suddenly becoming 'convinced of the sinfulness of his conduct,' married her. Another man, eighty-eight years old, who had learned to spell words of two syllables, was reported to be 'much improved in his moral character' since he had gone in for education--though one doubts that a man of his age was capable of vice on any really impressive scale." (149) Altick is clearly exasperated at points by the prejudices and biases that resisted public education, the spread of literacy, and the suppression of the working classes, and most particularly by those who professed to support the rights of the laborers. But the book ends with an utterly optimistic view that contemporary scholars today will find in the past the methods of avoiding similar mistakes in the future. It is a hope, although most likely felt by current academics, not often expressed in academic titles. Altick's style and tone are figments of a bygone era of scholarship and yet the work has endured, and rightfully so.


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