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Reviews for Roycroft Decorative Accessories in Copper and Leather: The 1919 Catalog

 Roycroft Decorative Accessories in Copper and Leather magazine reviews

The average rating for Roycroft Decorative Accessories in Copper and Leather: The 1919 Catalog based on 2 reviews is 5 stars.has a rating of 5 stars

Review # 1 was written on 2013-04-16 00:00:00
2002was given a rating of 5 stars Richard H Jr Wilcox
This photo says it better than I ever could.
Review # 2 was written on 2009-01-05 00:00:00
2002was given a rating of 5 stars Jewel Spears
Loved it! Here's what I wrote in my blog about it... There are so many bits of wisdom in Robert Henri's The Art Spirit that it's hard to know what to share. (I have "wow" and "cool" and "neat" written in red letters in the margins of just about every page...) But perhaps this is the most important thing--Robert Henri talks about creating art as the one "true happiness" in life. "A man must become expressive before he can be happy," he writes (the italics are mine.) Henri stresses, again and again, that we are all artists, or at least, we all have that capacity. The urge to create is innate. We all have the capacity to experience, to see, to feel, to care. Making art is about caring, he says. It seems that we get hung about art and "who" is an artist. (Maybe this started in high school, when we were either assigned to the "science track" or the "art track." Some silly bureaucratic proceduralism occurred, and we were subsequently scarred for life.) It doesn't have to be painting, sculpture, or music--anything can be a form of art if we are expressing something that's unique and meaningful to us. There are many forms of expression in life. For me, teaching is a form of expression. It's simply about being open to the world, noticing what we love, and expressing that love in whatever form best suits us. The technique is secondary to the expression. Henri defines artistic expression broadly, as a "giving back" to the world. Letting something speak to you, and sharing your expression of that thing with others. It's not about the product, it's about being in that space of open sensitivity that makes art inevitable. It's like we have to create because we're so moved by whatever we've seen. Have you noticed that? When you're open to the world and beauty is streaming in all around you, the poem, the drawing, the music, happen spontaneously? We're moved by the wonder of it all. I also have two additional blog posts about this book that I won't copy over here. If you're interested, here they are: Robert Henri's Thoughts on Painting a Child and Robert Henri and the Art Spirit


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