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Reviews for Henry James

 Henry James magazine reviews

The average rating for Henry James based on 2 reviews is 2 stars.has a rating of 2 stars

Review # 1 was written on 2016-09-30 00:00:00
0was given a rating of 2 stars Anthony Caciolo
If you like Hemingway, check this one out; if you do not, skip it. Michael Reynolds delves into excruciating, repetitive detail about Hemingway's formative writing years in Paris. He discusses Hemingway's marriage with Hadley Richardson, as well as his interactions with other writers/artists like Gertrude Stein, Alice B. Toklas, and F. Scott Fitzgerald. I appreciated Reynolds' honesty in his portrayal of Hemingway. But I kept asking myself: why do people even care about this man? Thanks for putting up with my many Hemingway reviews, Goodreads friends. Even though Hemingway acted mean in many ways, I see that he suffered and I feel sorry about that. Still, I do not like him nor his writing at this point.
Review # 2 was written on 2014-10-08 00:00:00
0was given a rating of 2 stars Jacob Coleman
2 stars MY REVIEW HAS BEEN REVISED AFTER COMPLETING THE BOOK Reynolds' biography of Hemingway is more an analysis of what Hemingway has written than an examination of his inner soul. This book, the second in Reynold's series on Hemingway, covers only four years 1922-1926, predominantly set in Paris but also Spain, Italy,Turkey and Austria. In 1924 Hemingway began to receive acclaim. It covers his marriage to Hadley and his growing infatuation with Pauline, who will be his next wife. It covers the birth of his son. It covers his years as a reporter; he wrote both for The Toronto Star and for Hearst. He was in Turkey when the fire and catastrophe in Smyrna took place. As usual, he missed the real action but heard what others related. He observed and he listened. He was, as always, an observant listener. I found this coverage of historical event s more interesting than any other part of the book. Hemingway wanted to be a fiction writer, so that must be the main focus. The book covers primarily his friendship with those of the Lost Generation, those living in Paris in the 20s. The main focus is what Hemingway wrote during this period. You have to be well aware of what he has written. A chapter can begin relating what one of his fictional characters is thinking or doing. This can be confusing; the reader must immediately recognize Hemingway’s fictional characters. This is further confused because the fictional characters are drawn from real ones. Just as Hemingway so often takes real events and fictionalizes them, so does this biography blend the two. Being a literary analysis of his writing and his steps toward recognition, the book details the ins and outs of his writing and publishing contracts. Perhaps the book is best for those readers who are themselves budding authors, who are looking for guidelines on writing techniques. It shows what Hemingway learned from others. The book is more a presentation of what Hemingway does than what he thinks. The reader observes his actions and the choices he makes. I still like Hemingway's writing but I do not admire him as a person. And none of this has to do with his despicable love of bullfighting. At least in the first book (The Young Hemingway) you are given an idea of why he was drawn to this barbaric practice. In the first book there is more discussion of what factors shaped Hemingway into the man he was. This second book focuses on how he became a writer. I like how Hemingway writes, but dissecting every paragraph, every line, every word in his books makes the Hemingway magic disappear. I found neither Hemingway’s conversion to the Catholic faith or his changed feeling for Hadley well presented. I don’t understand how he was thinking, so neither can I empathize with him. There is an awful lot of repetition within this second book AND from the previous book. The repetition is excessive. It quite simply drove me nuts. You do learn a bit about Gertrude Stein and Alice B. Toklas and Ezra Pound and F. Scott Fitzgerald and Sylvia Beach, known for her Paris bookstore/library Shakespeare and Company. I will not be continuing this series. I do not like Reynold's focus or how he presents the facts. I get the impression he is trying to write with a style similar to Hemingway, only it fails. And the exceedingly rapid narration of the audiobook by Allen O'Reilly makes the reading experience even more unpleasant. I have learned about Hemingway......I like him less. This is who he was. These are the things he did. These are the things he said. You can like an author's work but not the author himself! I am glad I know him better. With my increased awareness and dislike I remind myself that this book only covers four years of his entire life, but for now I have had enough of Hemingway! My view on the first book of the series may be found here:


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