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Reviews for Lives of the Artists: Volume 1

 Lives of the Artists magazine reviews

The average rating for Lives of the Artists: Volume 1 based on 2 reviews is 4 stars.has a rating of 4 stars

Review # 1 was written on 2012-02-11 00:00:00
1988was given a rating of 3 stars Daniel Hurtado
[Though my edition does not specifically credit the Introduction to anyone, I assume it was written by the editor of the 1967 edition, and eminent art historian, Marilyn Aronberg Lavin. (hide spoiler)]
Review # 2 was written on 2014-07-02 00:00:00
1988was given a rating of 5 stars Arnold Hernandez
Men of genius sometimes accomplish most when they work the least, for they are thinking out inventions and forming in their minds the perfect idea that they subsequently express with their hands. ― Giorgio Vasari, The Lives of the Most Excellent Painters, Sculptors, and Architects I normally don't gravitate towards abridged books, but Vasari's 'The Lives of the Most Excellent Painters, Sculptors, and Architects' is a book that needs to be: 1) read by art history experts in its entirety (2000+ pages), 2) picked through periodically, like an encyclopedic "Garden of Delights", 3) read abridged, in a version that focuses on the Renaissance's best (Vasari was interested in distinguishing the better from the good and the best from the better). My time here is limited. I only have so much time for the good. In my brief life here I want to hang with the Gods not with the minor prophets. I want Michelangelo not Niccolò Soggi. Sorry Niccolò. The Modern Library/Gaston du C. de Vere translation, was a great version. It had all the Teenage Ninja Mutant Renaissance artists, but still provided plenty of architects, sculptures and painters that I was either completely uninformed about or lacked much knowledge. Vasari has a natural narrative momentum, even if he does sometimes lose his narrative genius when he's consumed with listing and describing all of an artists works. It is a fine balancing act, to try and describe the artists' life, work, and importance and make the essay complete, without making the piece a laundry list of oil and marble. One final note. This is one of those books that seems destined to become an amazing hypertext book or app. There were times while reading it I wished I was reading a digital copy that would provide links to pictures, blue prints, smoothly rotating statues, etc. What I wanted was a through the looking-glass, artist's version of The Elements app by Theodore Gray. I want a multiverse of art, history, maps and blueprints. I want to fall into a hypertext of Renaissance Florence and Rome. Audiobooks or paper just fail to do justice to this beautiful subject.


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