Reviews for Revolution

The average rating for Revolution based on 2 reviews is 4 stars.

Review # 1 was written on 2013-09-11 00:00:00 Hunter Zickrick Before I say anything else, let me get this out of the way: Jennifer Donnelly, don't read this. I know that she might be, because even though authors often say they do not read their reviews, I am an author and have secret knowledge of author-behavior and know that this means that they often do. This is not a bad review, but I don't want Jennifer Donnelly to read it because I want one day for us to sit together at a conference and be best friends and talk about dead people, prose, and minor chords. I don't want anything to get in the way of that, much less something as untidy as her looking at me and thinking of this Goodreads review and hissing "I'll show you ambitious, Stiefvater." So Ms. Donnelly (Jennifer, really, because in the future, we're friends, or at least fond peers), please stop here. All right, so I never understood by what reviewers meant by "ambitious." I assumed it meant the reviewer was a condescending jerk. I hope that is not me. Because I'm going to say it. This is a big, sprawling, ambitious novel that has its eye on a lot of different things. Before I read it, people told me it was a fantasy, and an edgy contemporary about grief, and a historical romance. It is none of those things, but it is some of all of those things. It tells the story of Andi, a present day grieving Brooklyn teen, and it tells the story of Alex, a pyrotechnic teen living during the French revolution, and it also tells the story of a dead prince's mummified heart, and it also tells the story of a French composer who seems to like both Beethoven and Radiohead, and the story of a rapping taxi driver with a heart of gold. It's this book's ambition that keeps it from being absolutely perfect. It tries for all of those things, and some of those things it nails, and some of them made me make my mouth small. But it's also its ambition that makes me okay with its imperfection. Because the reason why I have so many things to talk about and pick apart is because it gives me so many things to talk about and pick apart. It's a glorious thing to pull back the layers. In many ways, I think it's a great readalong with CODE NAME VERITY ' another ambitious book with lots of layers to pick at. What else do I want to say about this book? Because I want you to pick it up ' I want everyone to. I want writers to, because I think it will make them better writers, and I want readers to, because I think it will make them better readers. I want everyone to, so I can have someone to talk about the cleverness of it, right down to the title. I want to talk about how wise it is when it comes to war. I suppose I will say this, then: stick with it, in the beginning. Andi is in a terrible place, and she is not the easiest person to like. That's the point. And I'll say: ignore all the covers. They are all ridiculous and none of them is remotely interesting until after you're read the book. What else? Probably ignore the cover copy too. It is not that it is a lie ' it's just that it's untrue. It doesn't reflect the reading experience at all. Here, in fact. That's a good way to end this thing, whatever it is, because it surely isn't a review. I will finish with the cover copy I would write for this book instead: Andi Alpers is a sad and terrible person after her younger brother dies. She goes to a snotty school that makes her sadder and more terrible. Her father, who is a geneticist, brings her to France to be sad and terrible there while he analyzes a crusty old French heart to see if it belongs to a sad and terrible French princeling. She finds a happy and glorious old guitar from the revolution, and a sad and terrible journal from selfsame time period, and also meets a happy and glorious rapping taxi driver with a heart of gold. There are kisses, decapitations, house parties where house = catacombs, and a lot of classical guitarists playing a lot of minor chords. My work here is done. Jennifer Donnelly, are we friends yet?

Review # 2 was written on 2010-09-12 00:00:00 anthony abbott I thought Jennifer Donnelly's debut YA novel A Northern Light was remarkable and well deserving of Printz Honor. I don't think Revolution is worthy of winning any major awards no matter how earnestly it tries to be original and important and how heavily it is promoted as the next big thing. I am just not sold on its merits, even though I understand my personal dislike of certain things in literature might be interfering with my assessment of the novel. I don't have any problems with Donnelly's writing. In fact, she is very skillful at juggling multiple story lines - two POV's, past and present, history of France, music, science. She weaves them together masterfully and joins them into an excellent epilogue. The protagonists' "voices" - our contemporary Andi's and 18th century Alexandrine's - are distinct and time-appropriate. The representation of the Revolution is balanced and well researched. And yet, the book was a chore to read. First, the moment I opened the book, I was assaulted by preppy kids' snobbishness and drugs a la Gossip Girl, never ending references to bands I know nothing about and THE ANGST. Now, I don't have anything against books about grief and guilt, but I need not to be beat over the head with constant suicide attempts, pill-popping and general nasty behavior to understand someone's pain. In literature, in such cases, less is more IMO and here the angst thing is way overdone. So, strike one - unbearable main character - Andi. The other main character - Alexandrine - is hardly any better. She is not very realistic - first she is all driven by ambition at the ripe age of 11 (yeah, right), then she is remorseful and self-sacrificing. I say, give me a break. Second, the book is just too long and boring. It really loses steam in the middle and it was work to get to the end. Some story threads and some angsty stuff should have been edited out to make this novel more readable. And finally, the "twist." You'll know what I am talking when you get there. It is absolutely unnecessary and a cheap gimmick. Andi should have been able to overcome her demons without it, on the strength of Alexandrine's and her own experiences. This is the second YA novel in recent months written by a talented author, with a great premise, but spoiled by poor plot choices (the first one is Extraordinary). It is frustrating. Don't they have any people advising them? Frankly, I am disappointed in Donnelly. A Northern Light was such a clever novel about independence and freedom and message of Revolution is simply drowned in melodrama. I am not sure if I want to read the author's adult novels anymore if cheap melodrama is the actual genre of her choice. P.S. Further research indeed indicated that Donnelly's adult books are historical soap operas a la Danielle Steel. Adieus, Ms. Donnelly!