Reviews for The Folding Cliffs: A Narrative of 19th-Century Hawaii

The average rating for The Folding Cliffs: A Narrative of 19th-Century Hawaii based on 2 reviews is 5 stars.

Review # 1 was written on 2011-03-24 00:00:00 Robert Coy Cover to cover The Folding Cliffs--an epic of Hawaiian history--is gripping. It reads like a novel in the best sense of that phrase, and moves quickly, without a lot of poetic claptrap to gum up the action. That despite the fact that it is composed in ten-to-fourteen syllable, mostly punctuation-free, enjamned lines. The central narrative seems as unlikely as it is compelling. It is the late 19th century on the Hawaiian island of Kauai. Foreigners are conspiring to seize the island chain from its lawful native rulers in what they hope will be a bloodless coup d'état. One of the colonizer's tools for effecting this change is the law governing the quarantining of lepers. Even today many still think of leprosy as a highly contagious and incurable disease, which is not true. Neither is forced quarantine and segregation of its victims necessary. In late 19th century Hawaii the disease falls conveniently into the colonizer's lily-white hands. Widely viewed as God's vengeance on the overly sensual native manner of living, the foreigners are able to use it as a way of attacking native Hawaiian social integrity. Families, communities are easily split with a simple diagnosis of leprosy. One family, however, that of Ko'olau and Pi'ilani and their son Kaliemanu, decide they will not allow themselves to be hauled off to quarantine. Instead, they go to Kalalau, a valley in northwest Kauai where others who have been diagnosed have decided to gather. Otherwise, it's off to the island of Molok'ai and the leprosarium there run by Father Damien where contact with their families is almost impossible. After Ko'olau and his family join the others, they are pursued by an ambitious fellow by the name of Stoltz, who is determined to clear the valley of them. Ko'olau--justifiably--shoots him dead. The white man, now in charge of the so-called Provisional Government in Honolulu, calls out the army. The book's set piece is the family's retreat to Kalalau, its life there, and the subsequent military incursion. The leper side of the story, in a brief overview like this, might seem off-putting. Please, don't allow yourself to be. Merwin's handling of the story is deft and compassionate. This is one of the most beautiful stories I have ever read. Emotionally, it is almost intolerably moving, to use Anthony Burgess' well-worn phrase. But not in the sense that the reader squirms. It's not like a thriller in that respect, though there is suspense. It is rather the deep emotional connection of many of the characters. There are sections that remind me of Faulkner. But not in a derivative way. Rather, Merwin is touching on the same core rhythms of the language and making it sing, as Faulkner did. The book is a marvel. How did Merwin do it? We can get a sense of many of the creative decisions he made along the way, but the final product is greater than the sum of its parts. It's a wonder of true art. Read it. It will keep you up at night, turning the pages.

Review # 2 was written on 2013-07-02 00:00:00 Shawn Wade Not by any means flawless, but quite a remarkable work. Narrative verse in the US in the past 50 years has mostly stunk, and this doesn't. It's quite an affecting story and quite different from Merwin's lyric poetry, though there are moments scattered throughout the "novel" which echo his lyric methods. But this is an actual story, told in an interesting and strong voice. Is it poetry? Hard to say. It's written in lines, but otherwise the rhythms are prose, and are probably in some ways indirectly inspired by the syntax of the King James Version of the Bible. The central story--the famlly lives of Hawaiians affected by leprosy and the way in which the government dealt with it (interment camps, essentially)--is heartbreaking and presents yet another instance of the lack of nobility of the US government and too many Americans in interacting with native peoples: a story that should be more widely told beyond the bounds of Hawaii.