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Escape Numbers 1 to 10 Magazine Back Issues

01-10 | 11-20

Escape # 1
Escape # 1 magazine back issue cover image

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Escape # 1

Features
Escape # 1

 


Escape # 2
Escape # 2 magazine back issue cover image

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Escape # 2

Features
Escape # 2

 


Escape # 3
Escape # 3 magazine back issue cover image

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Escape # 3

Features
Escape # 3

 


Escape # 4
Escape # 4, 1984  magazine back issue cover image

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Escape # 4, 1984

Features
Escape # 4, 1984

 


Escape # 5
Escape # 5 magazine back issue cover image

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Escape # 5

Features
Escape # 5

 


Escape # 6
Escape # 6 magazine back issue cover image

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Escape # 6

Features
Escape # 6

 


Escape # 7
Escape # 7, 1985  magazine back issue cover image

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Escape # 7, 1985

Features
Escape # 7, 1985

 


Escape # 8
Escape # 8 magazine back issue cover image

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Escape # 8

Features
Escape # 8

 


Escape # 9
Escape # 9 magazine back issue cover image

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Escape # 9

Features
Escape # 9

 


Escape # 10
Escape # 10, 1987  magazine back issue cover image

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Escape # 10, 1987

Features
Escape # 10, 1987

 

Escape magazine was a British comic strip magazine founded and edited by Paul Gravett and Peter Stanbury. Nineteen issues were published between 1983 and 1989. Eddie Campbell, Phil Elliott and Glenn Dakin were amongst the many cartoonists published within its pages.

Escape has its origins in the explosion of small press or minicomics that occurred in the UK in the early 1980s. Paul Gravett was running a stall at the Westminster Comic Mart in London called Fast Fiction where he would sell other people's self-published comics for a small cut. These would generally be short-run publications, usually photocopied and assembled by hand, by creators who couldn't find a professional outlet for their work with many coming from an art school background with unique approaches to comic art.

At the same time awareness was growing of international developments in the medium. Art Spiegelman and Françoise Mouly's RAW magazine had started pushing the boundaries in the USA while European anthologies such as Métal Hurlant, Charlie Mensuel and PLG showed not only radically different styles of comic art to the usual UK/US variety but a more mature and analytical approach to the medium.

Gravett brought his knowledge and enthusiasm while his partner Peter Stanbury, employed at the time at Harpers & Queen, brought experience in print design and production and together they decided to publish, from their flat, a magazine featuring this home-grown talent along with showcasing examples of new and interesting comics from around the world.

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