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Book Categories |
Contributors | ||
Editors Preface | ||
Pt. I | Theoretical Perspectives | |
Overview | 1 | |
1 | Perspectives and Challenges of Musical Imagery | 5 |
2 | Neuropsychological Mechanisms Underlying Auditory Image Formation in Music | 27 |
3 | Musical Imagery and Working Memory | 43 |
4 | Modeling Musical Imagery in a Framework of Perceptually Constrained Spatio-Temporal Representations | 57 |
5 | Mental Images of Musical Scales: A Cross-cultural ERP Study | 77 |
6 | Complex Inharmonic Sounds, Perceptual Ambiguity, and Musical Imagery | 95 |
7 | Musical Imagery between Sensory Processing and Ideomotor Simulation | 117 |
8 | Musical Imagery as Related to Schemata of Emotional Expression in Music and on the Prosodic Level of Speech | 137 |
9 | Imaging Soundscapes: Identifying Cognitive Associations between Auditory and Visual Dimensions | 161 |
Pt. II | Performance and Composition | |
Overview | 181 | |
10 | Expressive Timing in the Mind's Ear | 185 |
11 | Control of Timbre by Musicians - A Preliminary Report | 201 |
12 | Images of Form: An Example from Norwegian Hardingfiddle Music | 219 |
13 | Imagined Action, Excitation, and Resonance | 237 |
14 | The Keyboard as Basis for Imagery of Pitch Relations | 251 |
15 | Composers and Imagery: Myths and Realities | 271 |
16 | The Musical Imagery of India | 289 |
Name Index | 303 | |
Subject Index | 311 |
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