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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Janice Cook
reviewed Public Photographic Spaces on July 29, 2011
Public Photographic Spaces
As Walter Benjamin put it, this is a Ãœbungsatlas, an atlas of physiological exercises as opposed to the then new (anti) portraits of photographic and cinematic culture in Soviet Russia. Sanders' photography emerges from the necessity of a new portraiture form not only for a new social class (as in Soviet cinema), but moreover for a new interest on a scientific comprehension of social collectivity. His photos are highly influential - aesthetically speaking - and definitely showed the way to the majority of photographers that followed.
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