Historia universal de la infamia Book

It is literally impossible to overvalue Jorge Luis Borges' influence on the modern intellectual literature - however much we think he did, he did even more.
Similar to sounds, skilfully combined by a composer into a harmonious sequence, turning them into melody, simple words, cunningly used by an artful author, become intellectual music.
The runaway expected his freedom. Lazarus Morell's shadowy mulattoes would give out an order among themselves that was sometimes barely more than a nod of the head, and the slave would be freed from sight, hearing, touch, day, infamy, time, his benefactors, pity, the air, the hound packs, the world, hope, sweat, and himself. A bullet, a knife, or a blow, and the Mississippi turtles and catfish would receive the last evidence.
Telling the tales of villainy Jorge Luis Borges turns reality into a baroque ornament of wickedness, grotesquely adding to evil supernatural features so that it becomes even more sinister.
An ingenious addition even a wee bit of magic to reality unfailingly turns it into a magnetizing object of art.