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Combat is one of the central themes of Middle High German narrative literature, and of significant interest to medievalists in general. Nevertheless, few studies to date have attempted a detailed analysis of the depiction of combat in literary texts. Rachel Kellett uses an inclusive approach to the details of combat descriptions in order to analyse minutely the scenes of single combat and battle presented in two major narrative works by Der Stricker, the epic Karl der Grosse and the Arthurian romance Daniel von dem Bluhenden Tal, written between 1220 and 1250. The author compares these works with a wide range of other texts, both French and German, and investigates the relationship between Stricker's depiction of combat and that found in the works of Hartmann von Aue and Wolfram von Eschenbach among others. She also draws on historical research into medieval warfare, tournament and the tradition of the judicial combat, which adds valuable depth to her analysis of literary texts. Overall, this study provides new insights into the depiction of combat in Middle High German literature as a whole, while at the same time highlighting hitherto unnoticed aspects of the writings of Der Stricker as an individual author, and bringing a new perspective on the ambiguous role played by combat in the equally ambiguous Daniel von dem Bluhenden Tal.
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Dean Thompson
reviewed Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal' on October 12, 2015
Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal'
Scotsman John Buchan's fabulous The Thirty-Nine Steps is rightly considered a seminal classic in the Adventure/Spy genre and it is for good reason it was on The Guardian's Best 100 English Novels list at #42.
This exciting tale of espionage defined the man-on-the-run tale in breathless fashion, and was the first of the author's Richard Hannay tales. What remains remarkable is the contemporary prose. Though it takes place before the first World War, offering insight into the view of what was happening at that time, the tale is timeless, and with minor changes, could easily be a thrilling espionage adventure told in our day. Books need to be judged within their context, and while most do, some don't. This classic has a solid four-star average after hundreds of reviews on Amazon in the US, which accurately reflects how much fun this is to read.
That's not to say some of what happens isn't implausible, almost Cornell Woolrich implausible, but with a style and pace which makes Robert Ludlum seem lethargic ' no easy task ' the reader is having so much fun they simply don't care. Reading The Thirty-Nine Steps is fun and exciting, which is what it is supposed to be. Watching Hannay escape time after time until the thrilling confrontation and conclusion is exhilarating.
Buchan writes as though using lighting bolts rather than a pen, and we're just along for the electric-charged ride. The Thirty-Nine Steps is the quintessential can't-put-down read. That thrill you got as a youngster reading a mystery adventure by flashlight beneath the covers was captured by Buchan and moved forward into adulthood, and on that level it doesn't just succeed, it shines. It's on The Guardian's list for good reason.
The book differs from Hitchcock's famous British film adaptation in that there is no love interest for Hannay here; frankly because as a boys adventure story brought into adulthood, it isn't needed. A rollicking good old-fashioned tale that set a bar seldom reached since. Fabulous fun and quite enjoyable when read, if you don't make comparisons with spy novels written many decades later, and why would you do that? This edition of this seminal work has an excellent biography at the end readers will most likely enjoy. Highly recommended.
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Add Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal', Combat is one of the central themes of Middle High German narrative literature, and of significant interest to medievalists in general. Nevertheless, few studies to date have attempted a detailed analysis of the depiction of combat in literary texts. Rach, Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal' to the inventory that you are selling on WonderClubX
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Add Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal', Combat is one of the central themes of Middle High German narrative literature, and of significant interest to medievalists in general. Nevertheless, few studies to date have attempted a detailed analysis of the depiction of combat in literary texts. Rach, Single Combat and Warfare in German Literature of the High Middle Ages: Stricker's 'Karl der Grosse' and 'Daniel Von Dem Blühenden Tal' to your collection on WonderClub |