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As the last light of All-Hallows’ Eve falls on a small town at the tip of Cape Cod, Father Manuel Furtado begins his nightly ritual of gin and pills, prayer, and hours spent writing feverishly in his ledger. With the deep luxury of the chemicals in his body, he copies passages from Saint Augustine and Martin Heidegger, disciplined in his desire to flesh out his ever-building demons.
But, unlike his usual uninterrupted reflection, this night there is a crash, sudden enough to pull Father Manny from the rectory and toward his church, Our Lady of Fatima. He finds a man there his childhood friend Sarafino, whom he has not seen in decades frail with illness and desperate to tell the priest about his recurring visits from the Virgin Mary. Despite Father Manny’s grave doubts about Sarafino and his visions, he lets his old friend into his home and his life, and this single act ignites a series of events that challenge the faith of this fishing village, the parish, and of Father Manny himself.
Striking and lovingly detailed, Stealing Fatima is the story of a priest’s search for redemption in a town where, even in these modern times, the divine is possible.
In his second novel, award-winning poet-novelist Gaspar (Leaving Pico) explores an unnamed Massachusetts burg (with a strong resemblance to Provincetown) through its Portuguese-speaking community, a collection of rich, emotionally stormy characters. Centered on Fr. Manuel Furtado, the story begins during Manny's nightly ritual of liquor, pills and prayer late on All-Hallows' Eve, when he finds his long-lost childhood friend, Sarafino Pomba, breaking into his church. Dying from AIDS and running from the law, Sarafino takes up residence in a spare room, intent on convincing Manny that he's been visited by the Virgin Mary. Other mysteries involve Manny's family, lesbian church secretary Mariah Grey and her partner, and a missing religious statue; meanwhile, fellow priest John Sweet investigates Manny's substance abuse problem, hoping to acquire his own parish. Gaspar's winding sentences keep the pace measured, but leave deep impressions regarding the fishing community and its inhabitants. (The author is especially affectionate toward Sarafino, ”So flimsy and brittle, like a dry leaf, with the wind raking the world outside.”) Gaspar's masterful prose should absorb any reader intrigued by immigrant communities. (Dec.)
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