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After the 200th White Person Locks Her Car {...} | 3 | |
Exits from Elmina Castle: Cape Coast, Ghana | 4 | |
Born | 8 | |
Trying to Sleep After Studying Color Photos {...} | 9 | |
Invisibles | 10 | |
Barrage | 12 | |
The Woman Who Jumped | 14 | |
Bound | 15 | |
Soul Roots | 16 | |
1619. Virginia | 17 | |
1691. Tituba of Salem | 18 | |
From the Spirit of Phillis Wheatley {...} | 19 | |
Gone | 21 | |
If Harriet Tubman Were Alive Today | 22 | |
Circumcising Pandora | 24 | |
Praisesong: From Son to Mother | 26 | |
Harvest | 27 | |
Dream of Mango | 28 | |
Thermometer | 29 | |
Defensive driving | 30 | |
Locks | 32 | |
Port Townsend Poems | 33 | |
Haiku | 36 | |
Memorial | 37 | |
Memory of Wings | 38 | |
Returning the Water | 40 | |
I Am a Creature of the Obvious | 41 | |
Refugee | 44 | |
Moons ... tides | 45 | |
Legacy | 46 | |
When Africa Speaks | 47 | |
African Sunrunner | 48 | |
Senegal Sestina | 49 | |
Tattoo, or Henna | 51 | |
Meditations I | 52 | |
White | 54 | |
Blue | 56 | |
Passing Through This House | 57 | |
Objects of Desire | 59 | |
Poem for the Purchase of a First Bra | 62 | |
Michele | 64 | |
At Five | 65 | |
Help | 67 | |
Anotherday | 69 | |
Washboard Wizard | 70 | |
The Prayer of Miss Budd | 73 | |
Drifter | 75 | |
Love Song of a Red Cap | 76 | |
Landmarks | 77 | |
For my 27th birthday | 78 | |
A Debt is Paid | 80 | |
Boy at the Paterson Falls | 81 | |
Walking On: A Declaration of Wholeness | 82 | |
Something Terrible Something | 85 | |
Pretty White Girls | 86 | |
Gentleman at the Barbershop | 87 | |
Roots | 88 | |
Black Drag Queen | 89 | |
Fruitbowl 1 | 90 | |
I Know I Aint Hip No More | 91 | |
Revolutionary Thoughts | 93 | |
Christmas Eve: My Mother Dressing | 95 | |
In Search of Aunt Jemima | 97 | |
Raindrop Women | 99 | |
What I Am | 101 | |
To the People of a Small Town in Ohio ... | 103 | |
The Tar Baby on the Soapbox | 105 | |
Beaches | 106 | |
Vivian, Take 57 | 107 | |
Annuals and Perennials | 109 | |
Mississippi on the Doorstep | 111 | |
The Love of Travellers | 112 | |
Smile | 113 | |
Work to be Done | 115 | |
The Fitting Room | 116 | |
Land of the Lost | 118 | |
City in You | 119 | |
Peace Be Still | 120 | |
Untitled | 122 | |
American Sonnet (46) | 124 | |
Black on Black | 125 | |
Memorial Drive | 127 | |
Sunday | 129 | |
Going Home | 130 | |
Leaving Winston-Salem | 131 | |
Charleston, South Carolina | 132 | |
My Mother | 133 | |
We | 134 | |
Gullah Women | 136 | |
JoNelle | 138 | |
Things No One Told Me | 139 | |
Integration | 141 | |
Dirt | 142 | |
After an All Day Skirmish with the Clouds | 143 | |
Blackbottom | 144 | |
Baltimore | 145 | |
Lost | 147 | |
Child in the New Delhi Sun | 148 | |
Threnody | 149 | |
Soledad | 152 | |
Meridian Hill Terrace | 153 | |
7-30-96 | 155 | |
Brother is a Star | 156 | |
Call and Response | 157 | |
Snapshot: West Philly | 158 | |
The Bible Buckle | 159 | |
Saints | 160 | |
How to Make It | 161 | |
Audre's Son | 164 | |
It's a Dog's Life | 165 | |
Dungle sublime | 166 | |
Yellow is Me, But All the Same Are We | 167 | |
An Irresistible Light | 168 | |
April 19,19 -: A Sonnet | 170 | |
Bruised Children | 171 | |
Worry All the Time | 172 | |
Midnight in Mississippi | 175 | |
For the Man I Met on Georgia Ave | 176 | |
My Family | 177 | |
Mother's Day at McDonald's | 178 | |
The Major | 180 | |
Hazing | 181 | |
Father and Son | 183 | |
Father's shoes | 184 | |
Father country | 185 | |
100 Times | 187 | |
Those I love are sometimes white | 188 | |
Paralyzed | 189 | |
The Museum Cashier | 190 | |
Dedicated to the domestics | 192 | |
Astrology? | 194 | |
Moon Daughters | 195 | |
Passing | 196 | |
Sterling Brown | 198 | |
Matisse, Cut Outs | 199 | |
Stranger in the Village | 200 | |
They Do Not Have to Nest in Your Hair | 201 | |
Rain Making | 202 | |
Thoughts From a 747 | 203 | |
Space | 204 | |
High School | 207 | |
Tattooed Girl | 209 | |
Cross Burning Black | 210 | |
She-Ghosts of Tiresias | 211 | |
The Science of Forgetting | 213 | |
The Lock and Key | 215 | |
Spirit of the Dancer | 219 | |
As Dancers | 220 | |
Help is a Discotheque | 221 | |
For lester | 222 | |
Bird | 223 | |
Mom Used to Listen to Erroll Garner | 224 | |
John Birks Gillespie: an appreciation {...} | 225 | |
Chittlin's | 227 | |
Thelonius | 228 | |
Monk | 230 | |
Monk's Misterioso | 231 | |
The Fourth Supreme | 232 | |
Stevie Wonder | 234 | |
The Mighty Blood | 235 | |
Noon Talk at Georgia's Coffee Shop | 236 | |
Burn Rubber on Me | 238 | |
Photo of Ron Carter, Playing His Bass | 239 | |
Savannah Brass | 240 | |
Set Piece | 242 | |
A Thousand Marionettes | 243 | |
Verbal gun shots | 244 | |
Dr. Jack | 245 | |
Vipers, Flies, and Women of the Cloth | 249 | |
Visiting Hours | 250 | |
Concerning Violence | 251 | |
Rehearsal | 252 | |
Alley Games 6/the ascension | 253 | |
Glass Box Puzzle No. 1 | 254 | |
December 12th | 255 | |
Examination | 256 | |
A White Man and the Judge | 257 | |
The Good Ole Days | 258 | |
I Love You, Though You're Unemployed | 259 | |
If there's no sugar | 260 | |
The Edge | 261 | |
The subtle art of breathing | 262 | |
Who Sez Thunderbirds Can't Fly | 266 | |
Imperialism-The Dancing Do Not Die | 268 | |
Park mole | 270 | |
The Artifice of War | 272 | |
Generation Gap | 273 | |
Funeral | 275 | |
Say Something: A Change is Gonna Come | 277 | |
Some Solace, Some Yearning | 280 | |
In Oklahoma | 281 | |
Black tax | 282 | |
What is left | 283 | |
A Guard | 285 | |
Sorrow Song | 286 | |
1st Lt. Vernon J. Baker: Hero on the Hill | 287 | |
Staff. Sgt. Edward A. Carter, Jr. {...} | 290 | |
1st Lt. John R. Fox: Rain of Fire | 293 | |
The Names of Summer: A War Memory | 295 | |
At the Jackson Pollock Retrospective in L.A. | 298 | |
Our Second Night | 300 | |
Letter from Kuwait | 303 | |
A Black soldier | 304 | |
Four and Twenty Soldiers | 305 | |
Come and See My Little Toys | 306 | |
Homeless Vets | 307 | |
Suicides and Fools | 308 | |
Lights of the Bigtop | 309 | |
This mortal coil | 311 | |
The Plea | 315 | |
Girlfriend | 316 | |
To Keep from Shouting Something | 317 | |
Our Mothers | 319 | |
She kneels at the wailing wall | 321 | |
Color-Struck | 322 | |
For My Mother | 324 | |
For My Mother | 326 | |
Fallen Bodies | 327 | |
The Long Walk Home | 328 | |
Back road | 329 | |
Grand Diva | 330 | |
To adam | 331 | |
Grandma | 332 | |
While Communing with a Tree {...} | 333 | |
Friendly Skies | 335 | |
And all the sisters said ... | 336 | |
Angry sisters | 337 | |
Three men | 338 | |
Untitled | 339 | |
For Fatma and Her Co-wives | 340 | |
What is There for Us? | 341 | |
Be Careful When You Go Looking {...} | 344 | |
Rising | 348 | |
Cycles | 349 | |
Meetin the Conjure Woman | 350 | |
Wet Oak | 351 | |
Hands | 352 | |
The Beelzebub Chronicles | 353 | |
Stringbeans | 354 | |
The Star | 355 | |
Private Thoughts | 356 | |
Sin, 1969 | 357 | |
Lines | 358 | |
Midnight | 359 | |
Ashy Gal | 360 |
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Add Beyond the Frontier: African American Poetry for the 21st Century, This anthology begins with the memory of landscapes and landmarks, presenting poems in the For My People tradition of Margaret Walker. It includes a section titled Blood and Disappointment in the Land, which documents ongoing social struggles. Other poe, Beyond the Frontier: African American Poetry for the 21st Century to the inventory that you are selling on WonderClubX
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Add Beyond the Frontier: African American Poetry for the 21st Century, This anthology begins with the memory of landscapes and landmarks, presenting poems in the For My People tradition of Margaret Walker. It includes a section titled Blood and Disappointment in the Land, which documents ongoing social struggles. Other poe, Beyond the Frontier: African American Poetry for the 21st Century to your collection on WonderClub |