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Preface | 3 | |
Introduction | 7 | |
Epistle of the Shipwreck | 17 | |
The weddings of flowers take place upon the stigma. Pollen unfastens when aurora begins, and in a moment life redeems itself and then withdraws | 29 | |
With only two or three stamens, masculine flowers burst. They rise from their own depths, glistening and moist. Loosely turning over, they bring themselves up under the sky midway between light and shadow. Voiceless they wilt, sluggish they die | 31 | |
Ecstasy | 33 | |
Tattoos in the Water | 39 | |
Intermezzo with Five Crocodiles | 45 | |
The Ill-fated Water | 47 | |
Theory of Light | 53 | |
Quantum Theory | 55 | |
Set Theory | 57 | |
Theory of Fractals | 59 | |
The Accuracy of the Scale | 59 | |
Metamorphosis of a Chair | 69 | |
Three States and Three Kingdoms | 73 | |
Maps | 75 | |
Elysian Garden | 83 | |
In This Warm Dark Mosque | 109 | |
Fish of Fleeting Skin | 113 | |
From This Light | 119 | |
A Stone in the Water of Sanity | 121 | |
Upon It They Gently Reflect | 123 | |
The Hypothetical Spectator | 123 | |
Stone in the Sand | 127 | |
The Mysteries of Touch | 127 | |
The Allure of Forms | 129 | |
Flower of Gold | 131 | |
Time for Trees to Dance | 131 | |
Give Away the Lie | 133 | |
Monsoon | 135 | |
Ivy | 137 | |
Mandap | 139 | |
Seva | 143 | |
Fabulation | 145 | |
Banyan | 147 | |
Pavilion | 147 | |
Words | 149 | |
Form | 151 | |
Epiphany | 151 | |
Balancing Act | 153 | |
Shakti | 153 | |
Hotel | 159 | |
Amorous | 161 | |
The Wedding | 163 | |
Metempsychosis of the Dog | 165 | |
"The sun opens its lips and says to us" | 167 | |
The Opened Orange of Light | 167 | |
Brief Viper | 179 | |
Cartography | 191 | |
Eggs Laid by a Tiger | 193 | |
Sunday | 195 | |
Anesthesia | 195 | |
Voyage | 197 | |
Pillows | 199 | |
Contemporaries | 199 | |
Secondhand Book | 201 | |
Neighbors | 201 | |
The Shy Ones | 203 | |
Muse | 207 | |
Meditate | 209 | |
Ignorance | 209 | |
The Authoritarian School and How a Respectable Literary Genre Was Born | 211 | |
Auditor | 213 | |
Christmas | 215 | |
Childish | 217 | |
Classified Ads | 217 | |
Merlin | 219 | |
Ark | 219 | |
Map | 221 | |
Act | 221 | |
Oedipus to the Third Power | 223 | |
Superior | 227 | |
Minimal Ulysses | 229 | |
The Perfumist | 233 | |
Specters | 237 | |
The Promised Land | 241 | |
Account of the Marvels Whispered in a Mannequin's Ear | 243 | |
Nomad House | 251 | |
Turbid Diction | 261 | |
Migrations | 263 | |
On How Robert Schumann Was Defeated by Demons | 281 | |
Hemicranea | 305 | |
Thirteen Propositions against Trivial Love | 317 | |
Machinery | 323 | |
Prayer for August 21 | 325 | |
Pathological Beings | 329 | |
Bolero at Armageddon | 329 | |
Summer Mist | 331 | |
The Cauldron | 331 | |
Cancellation of a Construction Project | 335 | |
Descent | 335 | |
A Baroque Cell | 337 | |
Light from Parallel Worlds | 339 | |
Deck of Cards | 341 | |
Dramatis Personae | 343 | |
Heartache | 345 | |
The Cubs | 345 | |
Death of the Kiss | 351 | |
And Never Did ... | 365 | |
My Voice Faithful as a Shadow | 369 | |
The Dead Weight of the Land | 371 | |
An Ending by Pound | 373 | |
On Reading Virgil | 375 | |
Letter | 381 | |
Advertisement | 387 | |
"The sky" (I) | 391 | |
Overflowing Willow | 393 | |
Reunion of Cellos | 393 | |
Good-for-nothings on a White Corner | 395 | |
Keys of the Saint | 395 | |
A Green Hill, a Green Hill | 397 | |
The Horizon Burns | 397 | |
Regression of the Willow | 397 | |
Where to? | 401 | |
"The sky" (II) | 403 | |
"I mean you as though referring to two furies because" | 413 | |
"Rabbit-foot effectiveness, nonentity of" | 413 | |
"Now that we're nothing, for example" | 415 | |
"I believe in nothing, I collaborate, I assist" | 415 | |
"Riddle me what marionettes are" | 417 | |
"I let myself be led because I let loose" | 417 | |
Five | 419 | |
"We can't go on like this: be truthful, empty" | 421 | |
"Do you care to remedy the faces of the gods?" | 423 | |
"One's alone in this: making masks" | 423 | |
"He sends word for them not to be in His place" | 425 | |
"What chorus?" | 425 | |
Sponge | 429 | |
Scissors | 433 | |
Piazza Gimma | 439 | |
"I do not wish, in spite of all" | 439 | |
"I've forgotten the words" | 441 | |
"Elephants are born old" | 443 | |
"Maps are drawn on Sundays" | 445 | |
"I've never been in love enough" | 449 | |
"Compared to the condos of the living" | 451 | |
Tepozan | 457 | |
Topography | 463 | |
Mechanical Heart | 463 | |
Of Fiction and Things | 473 | |
Cantares | 479 | |
Red Tide | 501 | |
Thalassa | 503 | |
A Season of Paradise | 507 | |
A Knack for Slipping Away | 517 | |
River 1 | 519 | |
Evening Star | 527 | |
Premonition | 531 | |
Chrysalis | 531 | |
There Where You Sleep ... | 533 | |
Promise | 535 | |
We Never Come | 537 | |
It Isn't Gentleness | 537 | |
Vegetal Animus | 537 | |
Clarity of Silence | 541 | |
Pool | 543 | |
Bullfight | 543 | |
Vertigo | 545 | |
Rosary | 545 | |
Inventory | 547 | |
Ticklish Moments | 549 | |
Boundary | 549 | |
Flying | 553 | |
Beacon | 553 | |
Treadmill | 555 | |
It Was Early Evening | 559 | |
In the Palm of My Hand | 561 | |
Indecision | 561 | |
Six Variations on Love | 563 | |
It's Over | 565 | |
Na Tacha | 569 | |
Zenaida | 569 | |
Olga's House | 571 | |
Temple | 571 | |
Silly Ghost | 573 | |
Na Aurea | 573 | |
Marcelina | 575 | |
Na Hermila Limon | 575 | |
Cielo Min | 577 | |
Revelation | 577 | |
Agricola | 579 | |
Bertha Beninu | 579 | |
Na Victoria Litru | 581 | |
Healers | 581 | |
Natalia | 583 | |
The Shadow That Draws the Light | 583 | |
On the Beach | 585 | |
Hampstead Heath | 585 | |
Return to the City | 587 | |
Conrail Wax Museum | 587 | |
In the Steam Bath | 589 | |
Aegean Sea | 589 | |
Visit to Turk's Head Pub | 593 | |
In the Ritz at Meknes | 595 | |
Arabian Knight | 597 | |
Tenochtitlan Blues | 599 | |
Arcana IV: The Emperor | 601 | |
Arcana VIII: Justice | 603 | |
Arcana X: Fortune | 605 | |
Arcana XII: The Hanged Man | 605 | |
The Story of the Labyrinth | 607 | |
Wands | 609 | |
The Valley of Zapata | 611 | |
615 | ||
"Maniacs and Crazies" | 615 | |
On Coahuila Street | 621 | |
The Life of a Cucapa Woman | 625 | |
On the "Unusual" Lifestyle of the Cucapa Indians as Recorded by R. W. Hardy, British Lieutenant, While Exploring the Gulf of California | 627 | |
Juan Martinez, Juan Nobody, Juan All | 629 | |
Spanish Versions of Indigenous-Language Poems | 637 | |
About the Translators | 659 | |
Index of English Titles | 667 | |
Index of Spanish Titles | 671 | |
Index of Indigenous Titles | 675 |
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Add Reversible Monuments: Contemporary Mexican Poetry, Not since 1959 when Octavio Paz and Samuel Beckett published An Anthology of Mexican Poetry, has there been a collection which so thoroughly examines the poetry of the country known for being too far from God and too close to the United States. Y, Reversible Monuments: Contemporary Mexican Poetry to the inventory that you are selling on WonderClubX
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Add Reversible Monuments: Contemporary Mexican Poetry, Not since 1959 when Octavio Paz and Samuel Beckett published An Anthology of Mexican Poetry, has there been a collection which so thoroughly examines the poetry of the country known for being too far from God and too close to the United States. Y, Reversible Monuments: Contemporary Mexican Poetry to your collection on WonderClub |