The Art Of The Moving Picture Book

	Introduction to Modern Library: The Movies	v
	Introduction	vii
	A Word from the Director of the Denver Art Association	xxi
Book I	The General Photoplay Situation in America, January 1, 1922, Especially as Viewed from the Heights of the Civic Centre at Denver, Colorado, and the Denver Art Museum, Which Is to Be a Leading Feature of This Civic Centre	1
Book II	The Outline Which Has Been Accepted as the Basis of Photoplay Criticism in America, Both in the Studios of the Los Angeles Region, and All the Serious Criticism Which Has Appeared in the Daily Press and the Magazines	19
I.	The Point of View	21
II.	The Photoplay of Action	25
III.	The Intimate Photoplay	30
IV.	The Motion Picture of Fairy Splendor	38
V.	The Picture of Crowd Splendor	43
VI.	The Picture of Patriotic Splendor	50
VII.	The Picture of Religious Splendor	59
VIII.	Sculpture-in-Motion	65
IX.	Painting-in-Motion	75
X.	Furniture, Trappings, and Inventions in Motion	84
XI.	Architecture-in-Motion	95
XII.	Thirty Differences between the Photoplays and the Stage	105
XIII.	Hieroglyphics	116
Book III	More Personal Speculations and Afterthoughts not Brought Forward so Dogmatically	127
XIV.	The Orchestra, Conversation, and the Censorship	129
XV.	The Substitute for the Saloon	139
XVI.	California and America	145
XVII.	Progress and Endowment	150
XVIII.	Architects as Crusaders	161
XIX.	On Coming Forth by Day	166
XX.	The Prophet-Wizard	171
XXI.	The Acceptable Year of the Lord	180
	Appendix	189
	Index	195