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| List of Plates | viii | |
| Preface | xi | |
| Foreword | xiii | |
| Introduction | xv | |
| Introductory Note | xxiv | |
| I. | Mexico | |
| Part I. | Fragments from Early Daybooks | |
| 1. | Boy and Camera. Undated | 3 |
| 2. | "Notes from N.Y. Nov. 1922" | 4 |
| 3. | Discussion on Definition, April 1923 | 9 |
| Part II. | Mexico, August 1923-December 1924 | |
| 1. | "Romantic Mexico" | 13 |
| 2. | "Heroic Heads" | 30 |
| 3. | The Thing Itself | 54 |
| 4. | Landscapes and Still Lifes | 87 |
| Part III. | California, January-August 1925 | |
| 1. | "I Felt Myself a Foreigner" | 113 |
| 2. | Letters to Tina | 115 |
| Part IV. | Mexico, August 1925-November 1926 | |
| 1. | "Life through My Camera" | 125 |
| 2. | "Mexico Breaks One's Heart" | 162 |
| 3. | "The Beginning of a New Art" | 203 |
| II. | California | |
| Part I. | Glendale, January 1927-July 1928 | |
| 1. | Return to the Past | 3 |
| 2. | The Chambered Nautilus and the Dancing Nude | 10 |
| 3. | Subject Matter and Life Today | 24 |
| 4. | The Shells in Mexico: Letters from Tina Modotti | 31 |
| 5. | "Finely moving rhythms" | 37 |
| 6. | "My only reason for existence--" | 42 |
| 7. | The Desert | 57 |
| Part II. | San Francisco, August-December 1928 | |
| 1. | The Skylight | 69 |
| 2. | "Now that I stand almost alone--" | 78 |
| 3. | Weary of Cities | 95 |
| Part III. | Carmel, January 1929-December 1934 | |
| 1. | "This new life--" | 107 |
| 2. | "Point Lobos! I saw it with different eyes--" | 114 |
| 3. | Robinson Jeffers | 123 |
| 4. | "Peppers, my wonder and vision increasing--" | 128 |
| 5. | "So that the buckeye isn't one--" | 136 |
| 6. | "High praise ... I work all the harder--" | 140 |
| 7. | "How little subject matter counts in the ultimate reaction!" | 146 |
| 8. | "The stark beauty a lens can so exactly render--" | 147 |
| 9. | "The flame of recognition--" | 151 |
| 10. | "Unretouched portraits" | 167 |
| 11. | "Composition is a way of seeing--" | 170 |
| 12. | Jose Clemente Orozco | 177 |
| 13. | "Reality makes him dream--" | 189 |
| 14. | "I am the adventurer on a voyage of discovery--" | 206 |
| 15. | "Things seen into things known" | 221 |
| 16. | Transition--"a way I have been seeing lately--" | 226 |
| 17. | "Nature, the great stimulus--" | 239 |
| 18. | East Coast vs. West Coast--"Theatrical?" | 250 |
| 19. | The Mass and the Individual | 256 |
| 20. | "A book on my work--" | 263 |
| 21. | Group f/64 | 264 |
| 22. | "End of a period--" | 269 |
| 23. | Landscapes--"the heavens and earth become one--" | 275 |
| 24. | "Peace to enjoy, fulfill, this beauty--" | 283 |
| Part IV. | Carmel, April 22, 1944 | |
| "Ten Years--" | 287 | |
| Glossary of Mexican Words and Phrases | 289 | |
| Edward Weston's Technique | 291 | |
| Acknowledgments | 294 | |
| Selected Bibliography | 295 | |
| Index | 297 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add The Daybooks of Edward Weston, For more than 15 years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography, The Daybooks of Edward Weston to the inventory that you are selling on WonderClubX
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Add The Daybooks of Edward Weston, For more than 15 years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography, The Daybooks of Edward Weston to your collection on WonderClub |