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Acknowledgments | ||
Foreword | ||
Introduction | ||
Hamlet's Soliloquies | ||
1 | John Gielgud: The Glass of Fashion | 1 |
2 | Guinness, Olivier, and Burton: The Mould of Form | 19 |
3 | David Warner: The Rogue and Peasant Slave | 41 |
4 | Ben Kingsley: In My Mind's Eye | 63 |
5 | Derek Jacobi: The Courtier, Soldier, Scholar | 92 |
6 | Anton Lesser: A Noble Mind | 121 |
7 | David Rintoul: Th' Oserv'd of All Observers | 135 |
8 | Randall Duk Kim: Sir, a Whole History | 153 |
9 | Kevin Kline: In Action How Like an Angel | 175 |
10 | Kenneth Branagh: Speak, I Am Bound to Hear | 201 |
11 | Simon Russell Beale: The Motive and the Cue for Passion | 227 |
Notes | 247 |
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Add Modern Hamlets and Their Soliloquies, In Modern Hamlets and Their Soliloquies (Iowa, 1992), Mary Maher examined how modern actors have chosen to perform Hamlet's soliloquies, and why they made the choices they made, within the context of their specific productions of the play. Adding to origi, Modern Hamlets and Their Soliloquies to the inventory that you are selling on WonderClubX
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Add Modern Hamlets and Their Soliloquies, In Modern Hamlets and Their Soliloquies (Iowa, 1992), Mary Maher examined how modern actors have chosen to perform Hamlet's soliloquies, and why they made the choices they made, within the context of their specific productions of the play. Adding to origi, Modern Hamlets and Their Soliloquies to your collection on WonderClub |