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Preface : "to fight some other world" | ||
Introduction : renderings of the whale | 1 | |
Composing Moby-Dick : what might have happened : the Astman distinguished lecture | 15 | |
"Ungainly gambols" and circumnavigating the truth : breaking the narrative of Moby-Dick | 25 | |
"Chiefly known by his rod" : the book of Jonah, Mapple's sermon, and scapegoating | 37 | |
Filling the void : a Lacanian angle of vision on Moby-Dick | 61 | |
Melville, Moby-Dick, and the depressive mind : Queequeg, Starbuck, Stubb, and Flask as symbolic characters | 81 | |
Correspondences : paranoiac lexicographers and Melvillean heroes | 100 | |
"Deadly voids and unbidden infidelities" : death, memory, and law in Moby-Dick | 117 | |
"I stand alone here upon an open sea" : Starbuck and the limits of positive law | 132 | |
Morality and rhetoric in Moby-Dick | 148 | |
Moby-Dick's lessons, or how reading might save one's life | 165 | |
Mapping and measurement in Moby-Dick | 182 | |
"In this simple savage old rules would not apply" : cetology and the subject of race in Moby-Dick | 199 | |
"Kings of the upside-down world" : challenging white hegemony in Moby-Dick | 209 | |
"So Spanishly poetic" : Moby-Dick's doubloon and Latin America | 224 | |
Dreaming a dream of interracial bonds : from Hope Leslie to Moby-Dick | 238 | |
"There's another rendering now" : on translating Moby-Dick into German | 255 | |
The Brazilian whale | 274 | |
Leviathanic revelations : Laurie Anderson's, Rinde Eckert's, and John Barrymore's Moby-Dicks | 291 | |
Feminizing Moby-Dick : contemporary women perform the whale | 305 | |
Fusing with the muse : Eckert's Great whales as homage and prophecy | 321 | |
"Lying in various attitudes" : staging Melville's Pip in digital media | 337 |
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