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Ol’ Dirty Bastard (aka Russell Jones) rose to fame with the Wu-Tang Clan in the early 1990s, his unorthodox rap style and reputation for erratic behavior putting him in the media spotlight. As a solo artist, he released two albums that went gold and achieved crossover fame through a duet with Mariah Carey that debuted at number one on the Billboard charts. But for the next decade, his life would be fueled by chaos and excess until it derailed completely, resulting in a fatal drug overdose in 2004.
Digging for Dirt explores ODB’s life, career, mythology, death, and the troubled trajectory of his public and private worlds. Jaime Lowe met with the people ODB affected and was most affected by—surviving members of the Wu-Tang Clan, his hip-hop contemporaries, his parents, his managers, and his friends—in an attempt to figure out the man behind the clown-prince persona, and the issues of race, celebrity, mental illness, and exploitation that surrounded his rise and fall.
Ol' Dirty Bastard was one of the founding members of hip-hop's Wu-Tang Clan, "the heart and soul of the group" in its early years, although he had embarked on a solo career before he died of an accidental drug overdose. A collaboration with Mariah Carey on the hit song "Fantasy" led to stardom, but ODB was primarily known during his "short, tumultuous, but somehow inspired life" (1968-2004) for his run-ins with the law and his erratic behavior; in one memorable incident, he disrupted the Grammys to explain why he thought Wu-Tang should have won. Lowe, who wrote about ODB for the Village Voice after his death, has gathered what information she can on his life and career, but that really isn't enough to fill a book. Instead, she writes about her efforts to understand ODB, stretching out each interview, no matter how tangential, and circling around her main themes-such as the notion that the drug-addled rapper was, in his final years, "a curio put onstage" for the amusement of white hipsters. There are occasional flashes of insight, especially when she writes on the subject of ODB's probable mental illness, but the structural weaknesses make for an unsatisfying biography. (Dec. 2)
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