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Book Categories |
Introduction | ||
Preface: Forty Years in African Art and Life: Reflections on Ulli Beier | ||
The Crisis of Yoruba Culture | 3 | |
The Osun Grove of Oshogbo: Symbol of the Crisis of Yoruba Culture | 27 | |
The Age of Miracles: Crises in Contemporary Yoruba Society | 37 | |
The Return of Shango: The Theater of Duro Ladipo | 59 | |
The Yoruba Operatic Theater: A World in Search of Harmony and Social Order: Ladipo, Ogunde and Olaiya | 75 | |
Esu-Elegbara and the Carnivalesque | 103 | |
Orisha Liberates the Mind | 151 | |
Sangodare Gbadegesian Ajala | 163 | |
Death and the King's Horseman | 175 | |
Yoruba Aesthetics | 191 | |
To Organise is to Destroy: The Oshogbo Art School | 203 | |
Womanhood in Yoruba Traditional Thought | 223 | |
Yoruba Women | 235 | |
Yoruba Values | 247 | |
Iconography of Order & Disorder: Conversation with Ulli Beier | 261 | |
The Music of Yoruba Gods | 291 | |
A Gift of the Gods: The Story of the Invention of the "ODU" Gongs and the Rediscovery of the Ancient Lithophone | 305 | |
A Career in Music & Theater | 319 | |
The Making of a Multicultural Musician | 331 | |
Wole Soyinka on "Identity" | 343 | |
The Making of a Philosopher | 357 |
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