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| Introduction | ||
| From An Attempt to Prove That a Musical Play or Opera Cannot Be Good (1734) | 1 | |
| In Defense of the Operas (1756) | 10 | |
| Concerning Musical Genius (1784) | 15 | |
| Concerning Musical Expression (1784) | 18 | |
| The Division of the Fine Arts (1790) | 21 | |
| Expression in Music (1792-1794) | 26 | |
| Music (1794) | 31 | |
| The Marvels of the Musical Art (1799) | 36 | |
| Music, an Art of Humanity (1802) | 41 | |
| Bach the Composer (1802) | 51 | |
| The Genius of Bach (1802) | 56 | |
| Beethoven's Instrumental Music (1813) | 59 | |
| From The World as Will and Representation (1819) | 65 | |
| From The Aesthetics (1835) | 70 | |
| Beethoven (1832) | 77 | |
| "Content" and "Form" in Music (1854) | 81 | |
| From Richard Wagner in Bayreuth (1876) | 90 | |
| The Case of Wagner (1888) | 94 | |
| A Popular Discussion of Music as Expression (c. 1885) | 99 | |
| Coming to Terms with Richard Wagner (1913) | 106 | |
| Hans Pfitzner's Palestrina (1918) | 109 | |
| On Fugal Form, its Nature, and Its Relation to Sonata Form (1913) | 118 | |
| The Wandervogel Movement and Folk Song (1919) | 127 | |
| Technical, Economic, and Social Interrelations between Modern Music and Its Instruments (1921) | 134 | |
| The Mechanization of Music (1925) | 149 | |
| The Ivory Tower (1955) | 157 | |
| Problems of Conducting (1929) | 163 | |
| Music in the Schools (1930) | 167 | |
| Music and Society (1931) | 171 | |
| Introduction to the First Edition of Free Composition (1935) | 184 | |
| On the Use of Music in an Epic Theater (1935) | 191 | |
| Human Expression as Inseparable from Music (1955) | 199 | |
| Thoughts on the Essential Nature of Music (1957) | 209 | |
| Classes and Strata (1962) | 214 | |
| Music Historiography in Eastern Europe (1972) | 230 | |
| The Composer (c. 1978) | 244 | |
| Absolute Music as an Aesthetic Paradigm (1978) | 252 | |
| From On the Relationship of the Political and Musical Avant-garde (1989) | 266 | |
| Avant-garde, Modern, Postmodern: The Music (Almost) Nobody Wants to Hear (1991) | 282 | |
| The Authors | 300 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
George Ellison
reviewed German Essays On Music, Vol. 43 on December 30, 2008
German Essays On Music, Vol. 43
For the short fiction and criticism. The poetry is a little "eh."
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Add German Essays On Music, Vol. 43, Up to the end of the nineteenth century, Germany largely perceived itself as the nation of poets and philosophers. But with the enormous popularity of Schubert and Wagner, this began to change. Suddenly, composers also began to play a greater role in th, German Essays On Music, Vol. 43 to the inventory that you are selling on WonderClubX
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Add German Essays On Music, Vol. 43, Up to the end of the nineteenth century, Germany largely perceived itself as the nation of poets and philosophers. But with the enormous popularity of Schubert and Wagner, this began to change. Suddenly, composers also began to play a greater role in th, German Essays On Music, Vol. 43 to your collection on WonderClub |
