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| Illustrations | ||
| Preface | ||
| Acknowledgments | ||
| Introduction: Recovering Lost Leaves | 1 | |
| Ch. 1 | Educating the Modern Murasaki: Jogaku Zasshi and the Woman Writer | 7 |
| Ch. 2 | Through Thickets of Imitation: Miyake Kaho and the First Song of Spring | 52 |
| Ch. 3 | Behind the Veil: Wakamatsu Shizuko and the Freedom of Translation | 99 |
| Ch. 4 | Shimizu Shikin: From Broken Rings to Brokered Silence | 159 |
| Conclusion: In the Shade of the Single Leaf | 215 | |
| Notes | 231 | |
| Bibliography | 265 | |
| Index | 275 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Hal Hall
reviewed Lost Leaves on July 12, 2019 Lost Leaves
Wow, I am the first to rate and/or review the book. Well, it apparently does not lure crowds of readers and brings about melees in libraries so let me just introduce it. It is a collection of short stories aiming to capture emotions and traumas of a generation of Chinese soldiers and their nearest and dearest after being forced to leave the Chinese mainland for Taiwan, following the KMT army. Even though an uneducated Western reader may not fully grasp the cultural background, it is still an interesting reading. Most stories are slow-moving melancholic reminiscences, so typical of today`s Chinese literature.
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Add Lost Leaves, The period (1868-1912) was devoid of women writers but for the brilliant exceptionof Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative o, Lost Leaves to the inventory that you are selling on WonderClubX
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Add Lost Leaves, The period (1868-1912) was devoid of women writers but for the brilliant exceptionof Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative o, Lost Leaves to your collection on WonderClub |