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Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan Book

Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan
Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan, Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei , Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan has a rating of 4.5 stars
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Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan, Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei , Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan
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  • Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan
  • Written by author Kim Brandt
  • Published by Duke University Press, July 2007
  • Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei
  • Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei
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Authors

Acknowledgments     ix
Introduction     1
The Beauty of Sorrow     7
The Discovery of Mingei     38
New Mingei in die 1930s     83
Mingei and the Wartime State, 1937-1945     124
Renovating Greater East Asia     173
Epilogue     223
Notes     229
Bibliography     277
Index     293


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Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan, Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei , Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan

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Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan, Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei , Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan

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Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan, Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei , Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan

Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan

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